After Viswanathan Anand lost his World Chess Championship title to Magnus Carlsen, some commentators speculated that Anand might retire from top level chess. The 44 year old Anand had slipped to eighth in the world chess rankings and it seemed like he did not have the necessary energy and/or motivation to seriously challenge the 23 year old Carlsen. Anand's tournament record in the past few years has been less than stellar and prior to losing to Carlsen he had only narrowly fought off past his prime World Championship challenger Boris Gelfand. Levon Aronian, the 31 year old second ranked player in the world, seemed poised to emerge from the eight player Candidates Tournament to battle against Carlsen.
However, a funny thing has happened on the road to Anand's retirement/Aronian's coronation: Anand has turned back the clock to produce three sizzling victories, a 6.5 score and a 2883 performance rating after 10 rounds in the Candidates Tournament, while Aronian is in second place with a 5.5 score. Anand scored 1.5/2 in his head to head encounters with Aronian and there are just four rounds left in the double round robin event, so--barring a total collapse--Anand will surprise the chess world and earn the right to reclaim the World Chess Championship.
Anand is not be as consistently dominant in tournaments as he used to be but he is a crafty veteran of World Championship play--winning the title in more different formats than any other player--and it is inspiring to watch an "older" player rise to the occasion against the world's elite. If Anand finishes off the Candidates Tournament in style and gets a second opportunity face Carlsen in the World Chess Championship it will be fascinating to see how Anand adjusts his approach; the first time around, it seemed like Anand failed in at least three regards: (1) his opening preparation did not yield much, (2) he lacked the confidence to go for the kill on the rare occasions when he had a potential opportunity to do so and (3) during long games he clearly suffered from mental and/or physical fatigue, resulting in disastrous blunders. During the Candidates Tournament, Anand has demonstrated that he can still get the best of top notch players like Aronian and former World Champions Vladimir Kramnik and Veselin Topalov--but can Anand defeat a much younger foe who seems to enjoy psychological and physical advantages against him?
Carlsen is not only the World Chess Champion and the highest rated chess player in the world but he is also the highest rated chess player ever. Just qualifying to challenge Carlsen will be quite a feat for Anand but if Anand dethrones the man who at least some people believe to be the greatest chess player of all time that will be the biggest achievement of his already highly decorated career. Anand would be a heavy underdog against Carlsen--and he did not manage to post even one win in their previous match--but he was not considered a serious contender in the Candidates Tournament until he raced out into the lead and never looked back.
Tuesday, March 25, 2014
Friday, March 14, 2014
Marv Levy: Champion Without a Ring
It is a paradoxical reality of the sports universe that if one never makes it to the big game one can still be perceived as a winner but if one makes it to the big game repeatedly without winning it then one is generally perceived as a loser. Coach Marv Levy led the Buffalo Bills to an unprecedented four straight Super Bowls (1991-94) and if the Bills had won just one of those games then history would view Levy much more kindly--but the Bills lost all four, including three blowouts plus one game decided on a last second field goal missed by Buffalo kicker Scott Norwood, and thus it is unlikely that Levy will ever get the full credit that he is due.
Rick Telander, a narrative non-fiction master, realized that there is much more to Levy than those four Super Bowl losses; in an October 17, 1994 Sports Illustrated article titled No Joke, Telander explained why Levy is not only a great coach but also a well-rounded human being. Levy possesses the intelligence and determination to succeed in just about any field but the Harvard history major fell in love with football, a decision that did not meet with the immediate approval of his father. When he told Sam Levy what he planned to do, the elder Levy considered the matter in silence before saying simply, "Be a good one."
The stereotypical football coach breathes fire and instills fear but Marv Levy rejected that approach: "I hear sometimes that to be a good coach you have to be mean. I disagree, because the essential quality of a coach is to be a good teacher. Just because my personality is different from, say, Mike Ditka's doesn't mean a thing. What I always say is, 'Plan your work and work your plan.' If you have everything prepared, the rest takes care of itself.'"
After that fourth Super Bowl loss, Levy offered a defiant response when asked if the Bills could make a fifth straight trip to the Super Bowl: "Is our goal to win? No! Our goal is to develop our team, to earn what we get, to learn, to develop unselfish attitudes. If we achieve that, the result is that we'll win."
Those words may sound trite but coaches who have won multiple championships--including Phil Jackson and John Wooden--said very similar things: competing in sports at the highest level is about the process, about doing your work the right way and about having the proper mindset: those things do not guarantee championships but they guarantee that you can look in the mirror and know that you, in the words of Rudyard Kipling, filled "the unforgiving minute/With sixty seconds’ worth of distance run."
Rick Telander, a narrative non-fiction master, realized that there is much more to Levy than those four Super Bowl losses; in an October 17, 1994 Sports Illustrated article titled No Joke, Telander explained why Levy is not only a great coach but also a well-rounded human being. Levy possesses the intelligence and determination to succeed in just about any field but the Harvard history major fell in love with football, a decision that did not meet with the immediate approval of his father. When he told Sam Levy what he planned to do, the elder Levy considered the matter in silence before saying simply, "Be a good one."
The stereotypical football coach breathes fire and instills fear but Marv Levy rejected that approach: "I hear sometimes that to be a good coach you have to be mean. I disagree, because the essential quality of a coach is to be a good teacher. Just because my personality is different from, say, Mike Ditka's doesn't mean a thing. What I always say is, 'Plan your work and work your plan.' If you have everything prepared, the rest takes care of itself.'"
After that fourth Super Bowl loss, Levy offered a defiant response when asked if the Bills could make a fifth straight trip to the Super Bowl: "Is our goal to win? No! Our goal is to develop our team, to earn what we get, to learn, to develop unselfish attitudes. If we achieve that, the result is that we'll win."
Those words may sound trite but coaches who have won multiple championships--including Phil Jackson and John Wooden--said very similar things: competing in sports at the highest level is about the process, about doing your work the right way and about having the proper mindset: those things do not guarantee championships but they guarantee that you can look in the mirror and know that you, in the words of Rudyard Kipling, filled "the unforgiving minute/With sixty seconds’ worth of distance run."
Labels:
Buffalo Bills,
Marv Levy,
NFL,
Rick Telander,
Sports Illustrated
Monday, March 10, 2014
Peter Svidler on the "Mystical Quality" of Chess
Seven-time Russian chess champion Peter Svidler recently was interviewed by Rustam Kasimdzhanov, the 2004 FIDE World Chess Champion; in Part I, Svidler offers a very candid appraisal of his chess career:
I still think I'm primarily a chess player, but the question can perhaps be phrased: "Have I been as much of a chess player as I should have been over the course of my career?" And I think to that the answer is no. But once again, by now that's probably unfixable and I'm probably more of a chess player right now than I was three years ago--so I'm trying to do something about it.
I have been somewhat...relaxed towards my chess career in general over the past decade or so. Who knows what could have happened...but the whole, "what would have happened with him if he'd worked on chess for 12 hours a day," is completely pointless, because I don't see myself working 12 hours a day whatever I do. It's a non-starter. I know of some people who do that, but I can't imagine changes in my life which would lead me to that.
It is fascinating that even someone as accomplished as Svidler believes that he does not have the work ethic or focus possessed by the very greatest chess players. Svidler both recognizes this shortcoming and accepts that it is fruitless to wonder what might have been had he taken a different approach; he knows that it is just not in his nature to have the monomaniacal devotion to the sport displayed by Bobby Fischer, Garry Kasparov and Magnus Carlsen, three World Champions who have each permanently inscribed their names very prominently in chess history. Svidler is well aware that he never came close to reaching their level: "...I will be listed as a bit-player in the era of Kramnik. Maybe not exactly a bit-player, but still--there are people out there who shaped the chess world to a certain degree. I don't see myself as one of those, but I'm a decent player."
Although Svidler failed to establish himself as an all-time chess great, in Part II he explains why chess captivates him (and millions of other people who are spellbound by the beauty, wonder, mystery and horror of chess):
I think it's an incredibly beautiful game. It can bring you a lot of joy if you study it and begin to understand it. You do need to put in some work because the "problem" with chess is that you do need to get past a certain level to begin appreciating just how beautiful it can be...
It has a somewhat mystical quality for me. In its best aspects it's like music or literature. It can create a feeling of wonder and beauty--obviously not every day, but it can. That's the reason I'm still happy I'm playing it because every now and then you create something which makes you think, yeah, that really was something which will remain. It's more than a game--at least I like to think so...
Success and recognition and all those things are important, clearly--who doesn't want those?--but this feeling that you get every now and then that you're completely in control of what you're doing over the board and the pieces listen to you and do what you say… For me that's absolutely fantastic and what I'm searching for--what I'm playing for.
Svidler nailed it: chess provides both a means to express oneself artistically and a way to at least have the illusion of exercising control in a world that often seems very chaotic and unpredictable.
I still think I'm primarily a chess player, but the question can perhaps be phrased: "Have I been as much of a chess player as I should have been over the course of my career?" And I think to that the answer is no. But once again, by now that's probably unfixable and I'm probably more of a chess player right now than I was three years ago--so I'm trying to do something about it.
I have been somewhat...relaxed towards my chess career in general over the past decade or so. Who knows what could have happened...but the whole, "what would have happened with him if he'd worked on chess for 12 hours a day," is completely pointless, because I don't see myself working 12 hours a day whatever I do. It's a non-starter. I know of some people who do that, but I can't imagine changes in my life which would lead me to that.
It is fascinating that even someone as accomplished as Svidler believes that he does not have the work ethic or focus possessed by the very greatest chess players. Svidler both recognizes this shortcoming and accepts that it is fruitless to wonder what might have been had he taken a different approach; he knows that it is just not in his nature to have the monomaniacal devotion to the sport displayed by Bobby Fischer, Garry Kasparov and Magnus Carlsen, three World Champions who have each permanently inscribed their names very prominently in chess history. Svidler is well aware that he never came close to reaching their level: "...I will be listed as a bit-player in the era of Kramnik. Maybe not exactly a bit-player, but still--there are people out there who shaped the chess world to a certain degree. I don't see myself as one of those, but I'm a decent player."
Although Svidler failed to establish himself as an all-time chess great, in Part II he explains why chess captivates him (and millions of other people who are spellbound by the beauty, wonder, mystery and horror of chess):
I think it's an incredibly beautiful game. It can bring you a lot of joy if you study it and begin to understand it. You do need to put in some work because the "problem" with chess is that you do need to get past a certain level to begin appreciating just how beautiful it can be...
It has a somewhat mystical quality for me. In its best aspects it's like music or literature. It can create a feeling of wonder and beauty--obviously not every day, but it can. That's the reason I'm still happy I'm playing it because every now and then you create something which makes you think, yeah, that really was something which will remain. It's more than a game--at least I like to think so...
Success and recognition and all those things are important, clearly--who doesn't want those?--but this feeling that you get every now and then that you're completely in control of what you're doing over the board and the pieces listen to you and do what you say… For me that's absolutely fantastic and what I'm searching for--what I'm playing for.
Svidler nailed it: chess provides both a means to express oneself artistically and a way to at least have the illusion of exercising control in a world that often seems very chaotic and unpredictable.
Labels:
chess,
Peter Svidler,
Rustam Kasimdzhanov
Wednesday, February 26, 2014
Garry Kasparov Plans Many Moves Ahead, On and Off of the Chess Board
Ron Rosenbaum's Smithsonian article What is Garry Kasparov's Next Move? discusses Kasparov's perspectives on international politics, Magnus Carlsen's victory in the World Chess Championship and the way that powerful chess engines have permanently changed tournament chess. Kasparov's take on Vladimir Putin is particularly interesting:
Kasparov’s animus toward Putin led me to ask the philosophical question "Do you believe in evil?"
"Everyone has an evil component within," he tells me. "It's matter of circumstance whether it emerges. Whether he becomes 'the right man in the right place at the right time' for evil to emerge. Stalin had it, all the components in place."
"How would you assess Putin?" I ask.
"Evil," Kasparov replies. "Pure evil."
"Evil from the beginning?" I ask.
"Yeah, it’s just the..." he pauses, trying to find a way to describe it, "evil from the very beginning, but eventually he was brought into power and eventually he discovered himself...." Again he pauses and then comes out with it. "He discovered himself in the center of this universe with unlimited powers with enormous luck!"
There's something Faustian to this characterization, this vision of Grandmaster Putin suddenly finding himself like Milton's Satan, realizing it's better to "reign in hell, than serve in heaven." He's found himself in a universe he can reign over with godlike abandon. No one in the world, not any of the leaders of the other countries, has powers so unlimited. Few in history have had it--and fewer still have been able to keep it.
But Kasparov will not grant Putin grandmaster strategist status.
"He got lucky from other factors: high price of oil, 9/11 attack, general weakness of the West, complacency, muddy waters in the global politics, apathy of Russian people--the combination [of all that]." And Kasparov also feels there are limits to the effects of Putin’s evil. "It's unimaginable to think he could cause as much damage as Hitler. It's [different], 21st century from the 20th century. I always say that Hitler used tanks, Putin's using banks. But the damage Putin has caused to the integrity of Western financial, political system has yet to be measured."
Returning to Ukraine and Putin’s Gambit, "This is an amazing moment in history, wouldn’t you say?" I ask him.
"Yes," he replies, "I think this [is] an amazing time. The collapse of the Soviet Union was the beginning of the big change. But it was a mistake to think the end of the cold war was the end of history."
Kasparov's reference is to the title of a once-fashionable geopolitical book, The End of History and the Last Man, published in 1992 by Francis Fukuyama, and to its thesis that after the collapse of the Soviet Union the world was on an uninterruptable path to global liberal democracy.
Kasparov believes that both Bill Clinton and George Bush, Sr. missed golden opportunities in the wake of the collapse of the Soviet Union. Kasparov has strong opinions about the policies that the United States should have implemented at that time:
"First of all, you don’t say 'That’s the end of the game.' Because the game is endless. It's the human race. Nobody had a plan that could go for four years, six years, ten years. That was an opportunity to make plans like the Truman administration did in late-1940s."
"And now?" I ask.
"Everybody's complaining that today things are so difficult, the Obama administration is facing [so many] enemies, it's difficult to confront China and radical Islam and Putin is...someone told me that Vladimir Putin is more dangerous than Joseph Stalin in 1948. Are you serious? That insults my sense of history. It's just politicians trying to cover up a lack of ideas, inability to strategize, and unwillingness to break a status quo, desperate attempts to cling to the power by [emphasizing] the magnitude of the global challenges."
Kasparov supports making chess an integral part of the school environment:
Kasparov is already thinking several moves ahead: beyond just reforming the insular, scandal-plagued world of 64 squares to make chess a vehicle for worldwide intelligence enhancement. "Everybody talks about the shortcomings of education. And I have plenty of experience traveling around the world and talking to education authorities, from the very top to the very bottom of the social ladder."
"We have plenty of evidence that at early age chess helps kids to learn about legal frameworks, to understand logic and patterns, to see the big picture, to structure minds. We need to start reforming education, and chess is a very useful tool."
Kasparov has a very measured answer to the question of whether prime Kasparov could beat prime Carlsen: "I always resist the question of comparing people. We live at different times, so Garry Kasparov in ’85 was once the champion, but my knowledge of chess was way, way less. It was 25 years ago."
Kasparov’s animus toward Putin led me to ask the philosophical question "Do you believe in evil?"
"Everyone has an evil component within," he tells me. "It's matter of circumstance whether it emerges. Whether he becomes 'the right man in the right place at the right time' for evil to emerge. Stalin had it, all the components in place."
"How would you assess Putin?" I ask.
"Evil," Kasparov replies. "Pure evil."
"Evil from the beginning?" I ask.
"Yeah, it’s just the..." he pauses, trying to find a way to describe it, "evil from the very beginning, but eventually he was brought into power and eventually he discovered himself...." Again he pauses and then comes out with it. "He discovered himself in the center of this universe with unlimited powers with enormous luck!"
There's something Faustian to this characterization, this vision of Grandmaster Putin suddenly finding himself like Milton's Satan, realizing it's better to "reign in hell, than serve in heaven." He's found himself in a universe he can reign over with godlike abandon. No one in the world, not any of the leaders of the other countries, has powers so unlimited. Few in history have had it--and fewer still have been able to keep it.
But Kasparov will not grant Putin grandmaster strategist status.
"He got lucky from other factors: high price of oil, 9/11 attack, general weakness of the West, complacency, muddy waters in the global politics, apathy of Russian people--the combination [of all that]." And Kasparov also feels there are limits to the effects of Putin’s evil. "It's unimaginable to think he could cause as much damage as Hitler. It's [different], 21st century from the 20th century. I always say that Hitler used tanks, Putin's using banks. But the damage Putin has caused to the integrity of Western financial, political system has yet to be measured."
Returning to Ukraine and Putin’s Gambit, "This is an amazing moment in history, wouldn’t you say?" I ask him.
"Yes," he replies, "I think this [is] an amazing time. The collapse of the Soviet Union was the beginning of the big change. But it was a mistake to think the end of the cold war was the end of history."
Kasparov's reference is to the title of a once-fashionable geopolitical book, The End of History and the Last Man, published in 1992 by Francis Fukuyama, and to its thesis that after the collapse of the Soviet Union the world was on an uninterruptable path to global liberal democracy.
Kasparov believes that both Bill Clinton and George Bush, Sr. missed golden opportunities in the wake of the collapse of the Soviet Union. Kasparov has strong opinions about the policies that the United States should have implemented at that time:
"First of all, you don’t say 'That’s the end of the game.' Because the game is endless. It's the human race. Nobody had a plan that could go for four years, six years, ten years. That was an opportunity to make plans like the Truman administration did in late-1940s."
"And now?" I ask.
"Everybody's complaining that today things are so difficult, the Obama administration is facing [so many] enemies, it's difficult to confront China and radical Islam and Putin is...someone told me that Vladimir Putin is more dangerous than Joseph Stalin in 1948. Are you serious? That insults my sense of history. It's just politicians trying to cover up a lack of ideas, inability to strategize, and unwillingness to break a status quo, desperate attempts to cling to the power by [emphasizing] the magnitude of the global challenges."
Kasparov supports making chess an integral part of the school environment:
Kasparov is already thinking several moves ahead: beyond just reforming the insular, scandal-plagued world of 64 squares to make chess a vehicle for worldwide intelligence enhancement. "Everybody talks about the shortcomings of education. And I have plenty of experience traveling around the world and talking to education authorities, from the very top to the very bottom of the social ladder."
"We have plenty of evidence that at early age chess helps kids to learn about legal frameworks, to understand logic and patterns, to see the big picture, to structure minds. We need to start reforming education, and chess is a very useful tool."
Kasparov has a very measured answer to the question of whether prime Kasparov could beat prime Carlsen: "I always resist the question of comparing people. We live at different times, so Garry Kasparov in ’85 was once the champion, but my knowledge of chess was way, way less. It was 25 years ago."
Labels:
chess,
Garry Kasparov,
Ron Rosenbaum,
Russia,
Smithsonian,
Vladimir Putin
Friday, February 21, 2014
Rick Reilly's Heartfelt Tribute to Jim Murray
Rick Reilly, who has won the National Sportswriter of the Year award 11 times, could not have picked a better role model than Jim Murray, who captured that honor a record 14 times--including 12 straight from 1966-77. After Murray passed away in August 1998, Reilly penned a touching obituary that displayed Reilly's talent while also explaining the qualities that made Murray so special. I encourage you to read the entire piece; here is an excerpt to whet your appetite:
I once asked Jim Murray if he kept a few extra columns in the bank for days when he had the flu or a tee time or an incurably blank computer screen. "Of course not!" he yowled. "What if I die one ahead?"
On Sunday, Jim Murray, the greatest sportswriter who ever lived, kissed his gorgeous wife, started to put on his pajamas, said, "Linda, something's wrong," and collapsed. The doctor was there in five minutes, but it was too late. Jim had died of a heart attack. He was 78.
He got his wish, though. He didn't have any columns saved up. Too bad. We could use a few laughs right now.
I once asked Jim Murray if he kept a few extra columns in the bank for days when he had the flu or a tee time or an incurably blank computer screen. "Of course not!" he yowled. "What if I die one ahead?"
On Sunday, Jim Murray, the greatest sportswriter who ever lived, kissed his gorgeous wife, started to put on his pajamas, said, "Linda, something's wrong," and collapsed. The doctor was there in five minutes, but it was too late. Jim had died of a heart attack. He was 78.
He got his wish, though. He didn't have any columns saved up. Too bad. We could use a few laughs right now.
Labels:
Jim Murray,
Rick Reilly
Tuesday, February 11, 2014
More Fun With Tennis Numbers
Fun With Tennis Numbers listed some of Bjorn Borg's incredible tennis statistics; it is unfortunate that Borg's dominance is not better remembered and appreciated by a generation of fans and commentators who act as if tennis greatness begins and ends with Roger Federer. The reality is that the one contemporary player whose statistics rival Borg's is not Federer but Rafael Nadal.
Tom Perrotta's January 24, 2014 Wall Street Journal article about Nadal notes, "Of the 90 men Nadal has played at least three times in his career, he has a losing record against two of them and an even record against one, according to tennis statistics website TennisAbstract.com. That's better than any man who has ever been ranked No. 3 or higher since the computer ranking system was implemented in 1973, from Bjorn Borg on down." The two aforementioned players who have winning records against Nadal are Nikolay Davydenko (6-5) and Dominik Hrbaty (3-1).
Like Nadal, Borg dominated the other top players of his era. Borg played 39 Top 10 players during his career and he only had a losing record against John Newcombe (1-3), Wayne Ferreira (0-1) and Pancho Gonzales (0-1). The Ferreira match took place during Borg's ill-advised and brief 1992 comeback after more than a decade away from the ATP Tour. Borg had a tie score against Arthur Ashe (7-7), John McEnroe (7-7), Tony Roche (1-1) and Roger Taylor (1-1).
Nadal is the only current Top 15 player who owns a winning record against every other current Top 15 player; overall, Nadal is 162-53 against that group, including 23-10 versus Roger Federer and 22-17 versus Novak Djokovic. Nadal's mastery of Federer is stunning and complete; Nadal owns a 9-2 record against Federer in Grand Slam events and he has not lost to Federer in a Grand Slam event since the 2007 Wimbledon Final. Anyone who insists on ranking Federer ahead of Nadal on the all-time list at this point is stubbornly denying the simple fact that Nadal has been dominating Federer for years head to head, in addition to posting a better overall Grand Slam winning percentage (.351 compared to .288).
While Nadal has no matchup problems versus tennis' other elite players, Djokovic has a losing record against both Nadal and Federer (15-16); Federer has a losing record against Nadal and Andy Murray (10-11). Nadal is 63-27 against the other current Top Five players, a significantly better mark than Djokovic's 55-33 and Federer's 68-44.
Tom Perrotta's January 24, 2014 Wall Street Journal article about Nadal notes, "Of the 90 men Nadal has played at least three times in his career, he has a losing record against two of them and an even record against one, according to tennis statistics website TennisAbstract.com. That's better than any man who has ever been ranked No. 3 or higher since the computer ranking system was implemented in 1973, from Bjorn Borg on down." The two aforementioned players who have winning records against Nadal are Nikolay Davydenko (6-5) and Dominik Hrbaty (3-1).
Like Nadal, Borg dominated the other top players of his era. Borg played 39 Top 10 players during his career and he only had a losing record against John Newcombe (1-3), Wayne Ferreira (0-1) and Pancho Gonzales (0-1). The Ferreira match took place during Borg's ill-advised and brief 1992 comeback after more than a decade away from the ATP Tour. Borg had a tie score against Arthur Ashe (7-7), John McEnroe (7-7), Tony Roche (1-1) and Roger Taylor (1-1).
Nadal is the only current Top 15 player who owns a winning record against every other current Top 15 player; overall, Nadal is 162-53 against that group, including 23-10 versus Roger Federer and 22-17 versus Novak Djokovic. Nadal's mastery of Federer is stunning and complete; Nadal owns a 9-2 record against Federer in Grand Slam events and he has not lost to Federer in a Grand Slam event since the 2007 Wimbledon Final. Anyone who insists on ranking Federer ahead of Nadal on the all-time list at this point is stubbornly denying the simple fact that Nadal has been dominating Federer for years head to head, in addition to posting a better overall Grand Slam winning percentage (.351 compared to .288).
While Nadal has no matchup problems versus tennis' other elite players, Djokovic has a losing record against both Nadal and Federer (15-16); Federer has a losing record against Nadal and Andy Murray (10-11). Nadal is 63-27 against the other current Top Five players, a significantly better mark than Djokovic's 55-33 and Federer's 68-44.
Labels:
Bjorn Borg,
Novak Djokovic,
Rafael Nadal,
Roger Federer
Monday, February 3, 2014
If Peyton Manning is Football's Roger Federer, Then the Postseason is Manning's Rafael Nadal
Roger Federer is often praised as the greatest tennis player of all-time; his game is aesthetically pleasing and technically precise and he has claimed a large portion of the sport's all-time record book--but Rafael Nadal, whose record-setting career is even more impressive than Federer's was at the same stage, has defeated Federer 23-10 in their head to head meetings. When Federer faces Nadal he does not look like the greatest player of his own era, much less the greatest player of all-time.
Peyton Manning is often praised as the greatest quarterback of all-time; his game is aesthetically pleasing and technically precise and he has claimed a large portion of the sport's all-time record book--but Manning has just an 11-12 record in playoff games, including 1-2 in Super Bowls after his Denver Broncos lost 43-8 to the Seattle Seahawks in Super Bowl XLVIII.
A tennis player battles one on one against his opponent in singles matches, while a quarterback is just one of 11 offensive players--but quarterback is the most important position in football, if not all of team sports, and a great quarterback can have a disproportionate impact on the outcome of a game. Manning has no problem making his presence felt during regular season play but his playoff record does not measure up to the postseason success enjoyed by Otto Graham (10 championship game appearances and seven championships in a 10 season career), Johnny Unitas (2-1 in NFL championship games, 1-1 in Super Bowls, 6-3 overall playoff record), Joe Montana (four Super Bowl wins in four appearances, 16-7 overall playoff record) and Tom Brady (three Super Bowl wins in five appearances, 18-8 overall playoff record). Terry Bradshaw was not as efficient statistically as Manning--though Bradshaw played in an era during which the rules heavily favored the defense, while the opposite is the case now--but Bradshaw went 4-0 in the Super Bowl and posted a 14-5 overall playoff record. Steve Young began his career in the USFL, played two seasons for a terrible Tampa Bay team and then spent several of his prime years backing up Montana in San Francisco but Young still assembled a 12-8 overall playoff record, including 1-0 in the Super Bowl. Kurt Warner has the same 1-2 Super Bowl record as Manning but Warner went 9-4 overall in the playoffs and he performed better in his three Super Bowls than Manning has.
Manning receives a lot of credit for "making his teammates better"--an ambiguous phrase at best in terms of defining an athlete's greatness--but even if we accept the very debatable premise that Manning has elevated mediocre teammates and/or teams to greatness during the regular season and thus deserves praise for doing so then don't we also have to assign some of the blame to Manning if those same teammates are nervous and/or tentative at the biggest moments? More to the point, Manning himself seemed nervous and tentative during Super Bowl XLVIII; although Manning set the Super Bowl single game record for completions (34) and threw for 280 yards, Troy Aikman commented during the telecast that it was difficult to remember when Manning accumulated all of those completions and all of that yardage: Manning's performance did not pass the eye test and anyone who watched the game analytically could see that Manning did not play at a high level, regardless of how one spins the numbers.
Furthermore, the idea that Manning has thrived despite being surrounded by lesser talent does not withstand close scrutiny. Manning's teams do not generally sneak into the playoffs only to lose to clearly superior squads; his teams race to tremendous regular season records only to stumble against lesser teams: Manning has lost his first playoff game (either in the Wild Card round or after enjoying a bye week) a record eight times. Just as it would be wrong to deny that Manning's gaudy regular season numbers have earned him a prominent place in the all-time quarterback pantheon, it would be wrong to deny that Manning's relative lack of postseason success (compared to several other members of that pantheon) strongly argues against placing Manning at the very top of the all-time quarterback list.
The title "greatest of all-time" may be largely mythical, something that is impossible to determine by purely objective means--but it is difficult to believe that someone with a glaring hole in his resume should be ranked ahead of great players who do not have a similarly glaring hole in their resumes. Is Federer one of the greatest tennis players of all-time? Of course. Is Manning one of the greatest quarterbacks of all-time? Of course. Federer never mastered his main rival Nadal--or even figured out how to play against him on close to even terms--so it makes no sense to label Federer as the greatest of all-time; Manning never dominated NFL postseason play--or even came close to matching the championship success of quarterbacks like Graham, Unitas, Montana and Brady--so it makes no sense to label Manning as the greatest of all-time. Super Bowl XLVIII did not hurt Manning's legacy, because objective observers already understood where Manning should be placed in the quarterback pantheon--but Manning's mediocre performance during Denver's loss represented a missed opportunity for Manning to add to his legacy. If Manning had been sharp while leading Denver to victory then he would have written another chapter in his story, much like Federer could have done if he had ever figured out how to deal with Nadal's relentless groundstrokes.
Peyton Manning is often praised as the greatest quarterback of all-time; his game is aesthetically pleasing and technically precise and he has claimed a large portion of the sport's all-time record book--but Manning has just an 11-12 record in playoff games, including 1-2 in Super Bowls after his Denver Broncos lost 43-8 to the Seattle Seahawks in Super Bowl XLVIII.
A tennis player battles one on one against his opponent in singles matches, while a quarterback is just one of 11 offensive players--but quarterback is the most important position in football, if not all of team sports, and a great quarterback can have a disproportionate impact on the outcome of a game. Manning has no problem making his presence felt during regular season play but his playoff record does not measure up to the postseason success enjoyed by Otto Graham (10 championship game appearances and seven championships in a 10 season career), Johnny Unitas (2-1 in NFL championship games, 1-1 in Super Bowls, 6-3 overall playoff record), Joe Montana (four Super Bowl wins in four appearances, 16-7 overall playoff record) and Tom Brady (three Super Bowl wins in five appearances, 18-8 overall playoff record). Terry Bradshaw was not as efficient statistically as Manning--though Bradshaw played in an era during which the rules heavily favored the defense, while the opposite is the case now--but Bradshaw went 4-0 in the Super Bowl and posted a 14-5 overall playoff record. Steve Young began his career in the USFL, played two seasons for a terrible Tampa Bay team and then spent several of his prime years backing up Montana in San Francisco but Young still assembled a 12-8 overall playoff record, including 1-0 in the Super Bowl. Kurt Warner has the same 1-2 Super Bowl record as Manning but Warner went 9-4 overall in the playoffs and he performed better in his three Super Bowls than Manning has.
Manning receives a lot of credit for "making his teammates better"--an ambiguous phrase at best in terms of defining an athlete's greatness--but even if we accept the very debatable premise that Manning has elevated mediocre teammates and/or teams to greatness during the regular season and thus deserves praise for doing so then don't we also have to assign some of the blame to Manning if those same teammates are nervous and/or tentative at the biggest moments? More to the point, Manning himself seemed nervous and tentative during Super Bowl XLVIII; although Manning set the Super Bowl single game record for completions (34) and threw for 280 yards, Troy Aikman commented during the telecast that it was difficult to remember when Manning accumulated all of those completions and all of that yardage: Manning's performance did not pass the eye test and anyone who watched the game analytically could see that Manning did not play at a high level, regardless of how one spins the numbers.
Furthermore, the idea that Manning has thrived despite being surrounded by lesser talent does not withstand close scrutiny. Manning's teams do not generally sneak into the playoffs only to lose to clearly superior squads; his teams race to tremendous regular season records only to stumble against lesser teams: Manning has lost his first playoff game (either in the Wild Card round or after enjoying a bye week) a record eight times. Just as it would be wrong to deny that Manning's gaudy regular season numbers have earned him a prominent place in the all-time quarterback pantheon, it would be wrong to deny that Manning's relative lack of postseason success (compared to several other members of that pantheon) strongly argues against placing Manning at the very top of the all-time quarterback list.
The title "greatest of all-time" may be largely mythical, something that is impossible to determine by purely objective means--but it is difficult to believe that someone with a glaring hole in his resume should be ranked ahead of great players who do not have a similarly glaring hole in their resumes. Is Federer one of the greatest tennis players of all-time? Of course. Is Manning one of the greatest quarterbacks of all-time? Of course. Federer never mastered his main rival Nadal--or even figured out how to play against him on close to even terms--so it makes no sense to label Federer as the greatest of all-time; Manning never dominated NFL postseason play--or even came close to matching the championship success of quarterbacks like Graham, Unitas, Montana and Brady--so it makes no sense to label Manning as the greatest of all-time. Super Bowl XLVIII did not hurt Manning's legacy, because objective observers already understood where Manning should be placed in the quarterback pantheon--but Manning's mediocre performance during Denver's loss represented a missed opportunity for Manning to add to his legacy. If Manning had been sharp while leading Denver to victory then he would have written another chapter in his story, much like Federer could have done if he had ever figured out how to deal with Nadal's relentless groundstrokes.
Saturday, February 1, 2014
Josh Gordon: "I'm Just Trying to Learn From the Best"
Josh Gordon was the brightest of the few bright spots in the 4-12 Cleveland Browns' dismal 2013 season; he earned First Team All-Pro honors in just his second year in the league, he led the NFL with 1646 receiving yards--shattering the franchise record of 1289 set by Braylon Edwards in 2007-- and he became the first player in NFL history to post back to back 200-plus yard receiving games. Gordon ranked second in the league with an 18.9 yards per reception average, he tied for 11th in the league with 87 receptions and he tied for 14th in the league with nine receiving touchdowns. Gordon's 95 yard TD reception in Cleveland's 33-28 week 13 loss to the Jacksonville Jaguars was the longest passing play in the league in 2013. Gordon torched Jacksonville for 261 receiving yards on 10 receptions after ransacking Pittsburgh with 14 catches for 237 yards the week before in Cleveland's 27-11 loss to the Steelers; Gordon's 597 total receiving yards in back to back games are the most receiving yards an NFL player has racked up in consecutive contests in league history.
Gordon also played in his first Pro Bowl and he enjoyed the opportunity to get some one on one tutoring from Jerry Rice, who is perhaps the greatest wide receiver--and arguably the greatest player, period--in NFL history. Gordon is bigger, stronger and faster than Rice was in his prime but it is most instructive to watch the video of Rice and Gordon's interactions in order to learn about Rice's mental approach to the game; Rice set up defenders like a chess grandmaster sets up a tactic and Rice was almost always one move ahead of the opposition. After Rice told Gordon that with proper technique Gordon could become unstoppable Gordon expressed appropriate deference, telling Rice, "I'm just trying to learn from the best."
Younger fans may not realize this, but the Cleveland Browns have a long and proud tradition of great receivers/tight ends, dating all the way back to the exploits of Hall of Famer Dante Lavelli and Mac Speedie during the team's dominant run in the All-America Football Conference (AAFC). Lavelli and Speedie played vital roles on the Browns' four AAFC championship teams (1946-49) before helping the team win the 1950 NFL title after the leagues merged. Cleveland also advanced to the NFL title game in 1951 and 1952 before Speedie retired. Lavelli played until 1956, as the Browns won NFL crowns in 1954 and 1955 after settling for runner up honors in 1953.
Hall of Famer Paul Warfield and Gary Collins teamed up on the Browns' 1964 NFL championship team; that squad remains the last Cleveland team to win a title in the NFL, NBA or MLB. Hall of Fame tight end Ozzie Newsome played an integral part in the franchise's revival in the early to mid-1980s and he is still the Browns' career leader with 662 receptions (the all-time record for tight ends when he retired in 1990) and 7980 receiving yards.
Ray Renfro, Milt Morin, Reggie Rucker, Dave Logan, and Webster Slaughter also deserve mention as first rate Cleveland pass catchers; three-time Pro Bowler Renfro played for the Browns' 1954 and 1955 NFL championship teams, two-time Pro Bowler Morin was one of the NFL's top tight ends in the late 1960s/early 1970s, Rucker tied for the AFC lead in 1975 with 60 receptions, Logan was an excellent deep threat who averaged 16.2 yards per reception in his eight seasons with the Browns and Slaughter earned Pro Bowl honors in 1989 after setting a franchise record with 1236 receiving yards.
If Gordon keeps his mind right--he was suspended for the first two games of the 2013 season because he violated the NFL's substance abuse policy--and his body healthy he could eventually own all of the Browns' receiving records.
Gordon also played in his first Pro Bowl and he enjoyed the opportunity to get some one on one tutoring from Jerry Rice, who is perhaps the greatest wide receiver--and arguably the greatest player, period--in NFL history. Gordon is bigger, stronger and faster than Rice was in his prime but it is most instructive to watch the video of Rice and Gordon's interactions in order to learn about Rice's mental approach to the game; Rice set up defenders like a chess grandmaster sets up a tactic and Rice was almost always one move ahead of the opposition. After Rice told Gordon that with proper technique Gordon could become unstoppable Gordon expressed appropriate deference, telling Rice, "I'm just trying to learn from the best."
Younger fans may not realize this, but the Cleveland Browns have a long and proud tradition of great receivers/tight ends, dating all the way back to the exploits of Hall of Famer Dante Lavelli and Mac Speedie during the team's dominant run in the All-America Football Conference (AAFC). Lavelli and Speedie played vital roles on the Browns' four AAFC championship teams (1946-49) before helping the team win the 1950 NFL title after the leagues merged. Cleveland also advanced to the NFL title game in 1951 and 1952 before Speedie retired. Lavelli played until 1956, as the Browns won NFL crowns in 1954 and 1955 after settling for runner up honors in 1953.
Hall of Famer Paul Warfield and Gary Collins teamed up on the Browns' 1964 NFL championship team; that squad remains the last Cleveland team to win a title in the NFL, NBA or MLB. Hall of Fame tight end Ozzie Newsome played an integral part in the franchise's revival in the early to mid-1980s and he is still the Browns' career leader with 662 receptions (the all-time record for tight ends when he retired in 1990) and 7980 receiving yards.
Ray Renfro, Milt Morin, Reggie Rucker, Dave Logan, and Webster Slaughter also deserve mention as first rate Cleveland pass catchers; three-time Pro Bowler Renfro played for the Browns' 1954 and 1955 NFL championship teams, two-time Pro Bowler Morin was one of the NFL's top tight ends in the late 1960s/early 1970s, Rucker tied for the AFC lead in 1975 with 60 receptions, Logan was an excellent deep threat who averaged 16.2 yards per reception in his eight seasons with the Browns and Slaughter earned Pro Bowl honors in 1989 after setting a franchise record with 1236 receiving yards.
If Gordon keeps his mind right--he was suspended for the first two games of the 2013 season because he violated the NFL's substance abuse policy--and his body healthy he could eventually own all of the Browns' receiving records.
Thursday, January 23, 2014
Lubomir Kavalak Notes Similarities Between the "Baseline" Styles of Bjorn Borg and Magnus Carlsen
In Baseline Chess, Hedgehog and Magnus Carlsen (1), Lubomir Kavalek writes that in Magnus Carlsen's crucial game nine win versus Viswanathan Anand in their World Chess Championship match Carlsen "became the ultimate
baseliner. The term is borrowed from tennis and two great tennis players from Sweden
come immediately to mind. Björn Borg and Mats Wilander won 18 Grand
Slams between them, doing the damage mostly from the baseline. Net-rushers
became victims to their precise, penetrating and counterpunching shots. In chess, it was another Swede, Ulf Andersson, who loved to shuffle his
pieces in his own backyard, unwilling to cross the middle of the board,
only to lash out when least expected. He sharpened his baseline skills even
with the white pieces."
A power-based style--in tennis, chess or any other sport--excites the fans. Who does not like watching sizzling passing shots or stunning piece sacrifices? However, a power-based style requires more energy exertion and has a much smaller margin of error. Roscoe Tanner was a more powerful player than Bjorn Borg but Borg was a much more consistent winner in no small part because Borg's style wore down his opponents; similarly, Carlsen rarely plays one particularly stunning move--in tennis parlance, he does not wow the crowd with devastating passing shots that just clip the line but he keeps getting the ball over the net until his opponents collapse from mental, psychological and/or physical fatigue.
Kavalek's sequel article, Baseline Chess, Hedgehog and Magnus Carlsen (2), explores some of the history of the Hedgehog structure. He notes that the Hedgehog most likely first appeared in a 1922 game played by Fritz Samisch. Salo Flohr, who Kavalek calls "the all-time finest Czech player," employed the Hedgehog in the 1930s, when he earned the right to challenge Alexander Alekhine for the World Chess Championship. Unfortunately for Flohr, World War II prevented the scheduling of that match and he never again had a direct opportunity to fight for the title.
The first 10 moves of game three of the Carlsen-Anand match mirrored the first 10 moves of a 1973 U.S. Championship game between Kavalek and Arthur Bisguier; both games reached the same position--though via a different sequence of moves--and both games ended in draws. As Kavalek puts it, "Time stood still": a variation that worked for Black 40 years ago in a high level game was still good enough for Black to obtain a draw in the 2013 World Chess Championship. Kavalek frequently finds a way to interject anecdotes from his own playing career into his articles, which at times provides a whiff of self-promotion/self-congratulation, but he is justifiably proud of his accomplishments: he won two Czech and three U.S. championships, he was once ranked among the top 10 players in the world and he has been inducted in the World Chess Hall of Fame.
Kavalek concludes the second article by looking at Carlsen's game nine win against Anand. Kavalek suggests that in general Carlsen prefers to use a space advantage to fight against Hedgehog structures but in this game Carlsen took out the World Champion with the Black pieces despite never moving his Q and QB from their original squares. Kavalek raves, "A unique game, indeed! Can somebody do it with the white pieces?"
A power-based style--in tennis, chess or any other sport--excites the fans. Who does not like watching sizzling passing shots or stunning piece sacrifices? However, a power-based style requires more energy exertion and has a much smaller margin of error. Roscoe Tanner was a more powerful player than Bjorn Borg but Borg was a much more consistent winner in no small part because Borg's style wore down his opponents; similarly, Carlsen rarely plays one particularly stunning move--in tennis parlance, he does not wow the crowd with devastating passing shots that just clip the line but he keeps getting the ball over the net until his opponents collapse from mental, psychological and/or physical fatigue.
Kavalek's sequel article, Baseline Chess, Hedgehog and Magnus Carlsen (2), explores some of the history of the Hedgehog structure. He notes that the Hedgehog most likely first appeared in a 1922 game played by Fritz Samisch. Salo Flohr, who Kavalek calls "the all-time finest Czech player," employed the Hedgehog in the 1930s, when he earned the right to challenge Alexander Alekhine for the World Chess Championship. Unfortunately for Flohr, World War II prevented the scheduling of that match and he never again had a direct opportunity to fight for the title.
The first 10 moves of game three of the Carlsen-Anand match mirrored the first 10 moves of a 1973 U.S. Championship game between Kavalek and Arthur Bisguier; both games reached the same position--though via a different sequence of moves--and both games ended in draws. As Kavalek puts it, "Time stood still": a variation that worked for Black 40 years ago in a high level game was still good enough for Black to obtain a draw in the 2013 World Chess Championship. Kavalek frequently finds a way to interject anecdotes from his own playing career into his articles, which at times provides a whiff of self-promotion/self-congratulation, but he is justifiably proud of his accomplishments: he won two Czech and three U.S. championships, he was once ranked among the top 10 players in the world and he has been inducted in the World Chess Hall of Fame.
Kavalek concludes the second article by looking at Carlsen's game nine win against Anand. Kavalek suggests that in general Carlsen prefers to use a space advantage to fight against Hedgehog structures but in this game Carlsen took out the World Champion with the Black pieces despite never moving his Q and QB from their original squares. Kavalek raves, "A unique game, indeed! Can somebody do it with the white pieces?"
Wednesday, January 15, 2014
Bruce Newman's 1994 Tribute to Retiring Racing Legend Mario Andretti
Sports Illustrated used to feature a lengthy roster of top notch writers, including Ralph Wiley, Frank Deford, Gary Smith and Rick Reilly. Bruce Newman is not as well known as the members of that literary quartet but he is a very good writer as well. In Sports Illustrated's October 17, 1994 issue, Newman penned a tribute to racing legend Mario Andretti. Newman described Andretti's enduring legacy:
There are other drivers--artists like Jimmy Clark and Ayrton Senna--whose best days will linger longer in our memory than Andretti's, but no one was ever as successful as Andretti in so many different kinds of racing. From 1966 through '69 he won 29 Indy Car races (his eventual total would be 52), while also winning both the Daytona 500 stock car race and the 12 Hours of Sebring in '67. The following year he drove in Formula One for the first time and immediately took the pole at Watkins Glen (though he didn't finish the race). He was competing in only his second full season of F/1 racing, in '78, when he won the World Championship driving for Lotus.
In 1994, Andretti's final season on the Indy Car circuit, he finished outside of the top ten in the standings (14th) for the first time since 1981, when he only ran a partial schedule due to his Formula One commitments. He was competitive at times but he was no longer an elite driver, a fact that he well understood: "The cycle of life is what's happening. The old guys go home, new guys come out. There's no question that I've driven past my prime, but, realistically, I'm still capable of bringing home results." Newman noted, "If Andretti had stayed too long at the races, nobody seemed in any particular hurry for him to leave, least of all him." It is always poignant to see a great career wind down but Andretti handled the denouement with his customary class--and Newman described the ending with great insight and sensitivity, reminding younger readers just how great Andretti had been when he ruled virtually every track that he visited.
There are other drivers--artists like Jimmy Clark and Ayrton Senna--whose best days will linger longer in our memory than Andretti's, but no one was ever as successful as Andretti in so many different kinds of racing. From 1966 through '69 he won 29 Indy Car races (his eventual total would be 52), while also winning both the Daytona 500 stock car race and the 12 Hours of Sebring in '67. The following year he drove in Formula One for the first time and immediately took the pole at Watkins Glen (though he didn't finish the race). He was competing in only his second full season of F/1 racing, in '78, when he won the World Championship driving for Lotus.
In 1994, Andretti's final season on the Indy Car circuit, he finished outside of the top ten in the standings (14th) for the first time since 1981, when he only ran a partial schedule due to his Formula One commitments. He was competitive at times but he was no longer an elite driver, a fact that he well understood: "The cycle of life is what's happening. The old guys go home, new guys come out. There's no question that I've driven past my prime, but, realistically, I'm still capable of bringing home results." Newman noted, "If Andretti had stayed too long at the races, nobody seemed in any particular hurry for him to leave, least of all him." It is always poignant to see a great career wind down but Andretti handled the denouement with his customary class--and Newman described the ending with great insight and sensitivity, reminding younger readers just how great Andretti had been when he ruled virtually every track that he visited.
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Thursday, January 9, 2014
The Importance of Confidence and Audacity
Extreme confidence is essential for any champion; a champion's confidence is so high that it can seem irrational to an outsider but a champion's unshakeable belief in his skill/destiny enables him to overcome any form of adversity. A selection of 10 Great Chess Quotes reinforces this point: Bobby Fischer, Garry Kasparov and Magnus Carlsen each have distinctive personalities and playing styles but one thing that they have in common is enormous confidence. Carlsen explains, "Self-confidence is very important. If you don’t think you can win, you will take cowardly decisions in the crucial moments, out of sheer respect for your opponent. You see the opportunity but also greater limitations than you should. I have always believed in what I do on the chessboard, even when I had no objective reason to. It is better to overestimate your prospects than underestimate them." A confident player is audacious and unabashed, willing to take risks regardless of the situation.
In an article that primarily focuses on tennis player Andy Murray, Dominic Lawson explains why A true champion won't accept defeat:
Martina Navratilova has frequently said that "tennis is like chess" and so I feel justified in producing further analogies with that purely cerebral form of sporting conflict. Bobby Fischer eventually took the world championship from Boris Spassky in 1972, but for years he had found the Russian unbeatable. He gave as one of his reasons that "Spassky always has exactly the same expression on his face, whether he is winning or losing." This greatly disconcerted the American genius, who was used to seeing opponents visibly quail under the force of his attacks; but with Spassky there was nothing for Fischer to feed off, to boost his own confidence.
Some of the very greatest tennis champions have had exactly the same disconcerting inscrutability--Bjorn Borg springs to mind--and the good news for Murray is that this is something which can be developed: Borg was much more expressive as a teenager but learned to keep his emotions (and therefore vulnerability) hidden from the opponent.
It is one thing to hide psychological frailty: it is quite another to eliminate it. Perhaps Murray will always be incapable of that. If so, he can never be a true champion. That sounds tough, but it is the essential truth about sport at the supreme level. The great champions have reserves of self-belief that those not so endowed (the rest of us) find very hard even to comprehend. This is something quite different from technical ability; and there is no reason why the two should go hand in hand. It explains why some of the most naturally gifted sportsmen never fulfil the potential which everyone else sees in them.
Borg is one of the toughest and most confident performers in sports history. He declared, "My greatest point is my persistence. I never give up in a match. However down I am, I fight until the last ball. My list of matches shows that I have turned a great many so-called irretrievable defeats into victories." Although Borg could hit the ball with power, his default approach was to simply keep getting the ball back over the net; he was confident that he could do so 1000 times in a row if necessary and he was also confident that his opponents could not do so. Borg knew that just by staying in each point, each game and each set he could wear down anyone both mentally and physically. In the 1980 Wimbledon Final, Borg lost the fourth set tiebreaker 18-16 to John McEnroe; McEnroe said that he thought that he had broken Borg's spirit--but, as Borg noted, the fifth set is what counted the most and Borg played almost flawless tennis, dispatching McEnroe 8-6 to claim his record fifth straight Wimbledon title. Borg dropped his first two service points in the final set before winning 28 of his last 29 service points.
Carlsen plays chess the way that Borg played tennis; his individual moves are not always spectacular at first glance but Carlsen just keeps "getting the ball over the net" until his opponents crack under the pressure of doing likewise. It takes confidence, energy and steady nerves to play any sport in that fashion.
In an article that primarily focuses on tennis player Andy Murray, Dominic Lawson explains why A true champion won't accept defeat:
Martina Navratilova has frequently said that "tennis is like chess" and so I feel justified in producing further analogies with that purely cerebral form of sporting conflict. Bobby Fischer eventually took the world championship from Boris Spassky in 1972, but for years he had found the Russian unbeatable. He gave as one of his reasons that "Spassky always has exactly the same expression on his face, whether he is winning or losing." This greatly disconcerted the American genius, who was used to seeing opponents visibly quail under the force of his attacks; but with Spassky there was nothing for Fischer to feed off, to boost his own confidence.
Some of the very greatest tennis champions have had exactly the same disconcerting inscrutability--Bjorn Borg springs to mind--and the good news for Murray is that this is something which can be developed: Borg was much more expressive as a teenager but learned to keep his emotions (and therefore vulnerability) hidden from the opponent.
It is one thing to hide psychological frailty: it is quite another to eliminate it. Perhaps Murray will always be incapable of that. If so, he can never be a true champion. That sounds tough, but it is the essential truth about sport at the supreme level. The great champions have reserves of self-belief that those not so endowed (the rest of us) find very hard even to comprehend. This is something quite different from technical ability; and there is no reason why the two should go hand in hand. It explains why some of the most naturally gifted sportsmen never fulfil the potential which everyone else sees in them.
Borg is one of the toughest and most confident performers in sports history. He declared, "My greatest point is my persistence. I never give up in a match. However down I am, I fight until the last ball. My list of matches shows that I have turned a great many so-called irretrievable defeats into victories." Although Borg could hit the ball with power, his default approach was to simply keep getting the ball back over the net; he was confident that he could do so 1000 times in a row if necessary and he was also confident that his opponents could not do so. Borg knew that just by staying in each point, each game and each set he could wear down anyone both mentally and physically. In the 1980 Wimbledon Final, Borg lost the fourth set tiebreaker 18-16 to John McEnroe; McEnroe said that he thought that he had broken Borg's spirit--but, as Borg noted, the fifth set is what counted the most and Borg played almost flawless tennis, dispatching McEnroe 8-6 to claim his record fifth straight Wimbledon title. Borg dropped his first two service points in the final set before winning 28 of his last 29 service points.
Carlsen plays chess the way that Borg played tennis; his individual moves are not always spectacular at first glance but Carlsen just keeps "getting the ball over the net" until his opponents crack under the pressure of doing likewise. It takes confidence, energy and steady nerves to play any sport in that fashion.
Sunday, December 29, 2013
Grandmaster Jonathan Rowson's Insights About Magnus Carlsen
Scottish Grandmaster Jonathan Rowson, a three-time British Chess Champion (2004-06), has some fascinating insights about the specific traits that make World Chess Champion Magnus Carlsen such a great player.
Rowson explains, "Carlsen is not an idealist or a performer like Kasparov, who loved the narrative, the drama, the quest. Magnus just wants to win. So while there is plenty of creative amplitude in his play, the underlying motivational vector appears to be relatively sombre and flat." Carlsen possesses what Rowson calls "depressive realism"--Carlsen has a very objective approach to chess and his play does not seem to be dictated by his emotions but rather by a detached, clinical evaluation of the position at hand.
Rowson vigorously disagrees with the contention that Carlsen defeated World Champion Viswanathan Anand not on chess merit but simply by virtue of being younger and more energetic. Rowson asserts, "Carlsen’s nettlesomeness lies in the difference between playing consistently accurate moves, and playing consistently accurate moves that also maximise the chances of inaccuracies from the opponent. The former style beats all but the very best Grandmasters, while the latter tends to beat them too."
How does Carlsen regularly dispatch the world's foremost Grandmasters in positions that are not only seemingly equal but also seemingly devoid of any semblance of meaningful winning chances? Rowson, who has faced Carlsen in tournament play, provides an interesting list of what he considers Carlsen's unique chess warrior attributes:
The first step, avoiding errors, is the most difficult one for chess players at any level. There are countless examples of elite Grandmasters blundering into checkmates, hanging their Queens and committing various other forms of chess suicide. Chess requires constant concentration for hours on end and for days at a time and even the smartest, most dedicated competitors have lapses.
The advantage of playing quickly is that it puts psychological pressure on one's opponent, who literally does not have a moment to rest; in tennis terms, the ball is always coming back over the net at him--and, assuming that one keeps the ball in play (i.e., avoids errors), this forces the opponent to send the ball back over the net as well.
Chess is a complex game that can sometimes seem simple, but even the quietest positions often contain a drop of poison. It takes imagination and concentration to sense danger in what appear to be calm waters.
A chess player is perhaps most likely to make a mistake when he is taken out of his comfort level; he thinks that he is going to be playing a pawn up middlegame but all of a sudden his opponent sacrifices the Exchange. What is the nature of this new, unexpected position? Such surprises often induce mistakes.
Carlsen has the ability to "do nothing" but most chess players lack the patience, board vision and understanding for such maneuvers. When there is nothing obvious to do, it is easy to go astray.
Confidence is so very important in all areas of life. I don't play chess at anywhere near Carlsen's level but even as a local/regional champion I can recall many games that I won mainly because I simply believed (sometimes erroneously) that I was winning and that brazen confidence boosted my spirits while perhaps rattling the confidence of my opponents.
No one ever won by resigning and no one ever held a lost position without displaying great tenacity. Carlsen just plows forward regardless of the situation; as Capablanca once said, the good player is always lucky.
Opportunity may only appear once in a five or six hour playing session but when that opportunity arises Carlsen recognizes it--and he does indeed "kill" his opponents "without mercy."
Rowson's last step is tongue in cheek--at least in terms of being a necessary trait for over the board dominance--but it no doubt has helped Carlsen to land many of his endorsement deals, providing him with more financial stability than most chess players enjoy.
Rowson explains, "Carlsen is not an idealist or a performer like Kasparov, who loved the narrative, the drama, the quest. Magnus just wants to win. So while there is plenty of creative amplitude in his play, the underlying motivational vector appears to be relatively sombre and flat." Carlsen possesses what Rowson calls "depressive realism"--Carlsen has a very objective approach to chess and his play does not seem to be dictated by his emotions but rather by a detached, clinical evaluation of the position at hand.
Rowson vigorously disagrees with the contention that Carlsen defeated World Champion Viswanathan Anand not on chess merit but simply by virtue of being younger and more energetic. Rowson asserts, "Carlsen’s nettlesomeness lies in the difference between playing consistently accurate moves, and playing consistently accurate moves that also maximise the chances of inaccuracies from the opponent. The former style beats all but the very best Grandmasters, while the latter tends to beat them too."
How does Carlsen regularly dispatch the world's foremost Grandmasters in positions that are not only seemingly equal but also seemingly devoid of any semblance of meaningful winning chances? Rowson, who has faced Carlsen in tournament play, provides an interesting list of what he considers Carlsen's unique chess warrior attributes:
- First, avoid errors yourself.
- Second, play relatively quickly.
- Third, see complexity where others assume simplicity.
- Fourth, develop exquisite timing for when to change the nature of the position.
- Fifth, navigate towards positions where there are no obvious moves.
- Sixth, believe in your opponent's greater and ultimate fallibility.
- Seven, keep going relentlessly.
- Eight, be ever ready to pounce.
- Nine, kill them without mercy.
- Ten, smile for the cameras.
The first step, avoiding errors, is the most difficult one for chess players at any level. There are countless examples of elite Grandmasters blundering into checkmates, hanging their Queens and committing various other forms of chess suicide. Chess requires constant concentration for hours on end and for days at a time and even the smartest, most dedicated competitors have lapses.
The advantage of playing quickly is that it puts psychological pressure on one's opponent, who literally does not have a moment to rest; in tennis terms, the ball is always coming back over the net at him--and, assuming that one keeps the ball in play (i.e., avoids errors), this forces the opponent to send the ball back over the net as well.
Chess is a complex game that can sometimes seem simple, but even the quietest positions often contain a drop of poison. It takes imagination and concentration to sense danger in what appear to be calm waters.
A chess player is perhaps most likely to make a mistake when he is taken out of his comfort level; he thinks that he is going to be playing a pawn up middlegame but all of a sudden his opponent sacrifices the Exchange. What is the nature of this new, unexpected position? Such surprises often induce mistakes.
Carlsen has the ability to "do nothing" but most chess players lack the patience, board vision and understanding for such maneuvers. When there is nothing obvious to do, it is easy to go astray.
Confidence is so very important in all areas of life. I don't play chess at anywhere near Carlsen's level but even as a local/regional champion I can recall many games that I won mainly because I simply believed (sometimes erroneously) that I was winning and that brazen confidence boosted my spirits while perhaps rattling the confidence of my opponents.
No one ever won by resigning and no one ever held a lost position without displaying great tenacity. Carlsen just plows forward regardless of the situation; as Capablanca once said, the good player is always lucky.
Opportunity may only appear once in a five or six hour playing session but when that opportunity arises Carlsen recognizes it--and he does indeed "kill" his opponents "without mercy."
Rowson's last step is tongue in cheek--at least in terms of being a necessary trait for over the board dominance--but it no doubt has helped Carlsen to land many of his endorsement deals, providing him with more financial stability than most chess players enjoy.
Labels:
chess,
Jonathan Rowson,
Magnus Carlsen,
Viswanathan Anand
Tuesday, December 24, 2013
Where Should Magnus Carlsen be Ranked in the Chess Pantheon?
It is interesting and fun to try to rank the greatest practitioners of all-time in a given field but, no matter how conscientiously one attempts to be objective, such selections are inherently subjective. My Pantheon series honored the 10 greatest retired professional basketball players of all-time, while also providing some recognition to four active players whose career arcs seemed destined to launch them into Pantheon territory. While I am proud of the work that I did on that project, there is a certain charm and elegant simplicity to Julius Erving's take on this subject; he has not changed his all-time starting five since he was in high school: Erving explained that his quintet "was, is, and always will be Oscar Robertson, Jerry West, Elgin Baylor, Wilt Chamberlain and Bill Russell, with Connie Hawkins coming off the
bench as my sixth man to play guard, forward and center."
Erving has reiterated his philosophy in multiple recent interviews that he has conducted as part of his tour to promote his autobiography, Dr. J. Erving has made it clear that he is in no way disparaging the accomplishments and/or skill level of players such as Michael Jordan, Magic Johnson, Larry Bird, Kobe Bryant and LeBron James but he strongly believes that the evolution of the game and the emergence of new stars do not diminish the greatness of the game's pioneers; each great player should be appreciated for what he accomplished in the context of his era. In Erving's view, those who operate at the highest levels of greatness are part of a continuum, not a hierarchy: Erving does not believe that his high-flying escapades eclipsed those of Baylor and Hawkins but rather that he continued down the mid-air path that they blazed, much as Jordan, Bryant and James have subsequently continued down that path as well.
Erving's approach could also be applied regarding a chess Pantheon. Olimpiu G. Urcan notes that recently crowned World Chess Champion Magnus Carlsen has evoked comparisons with many of the sport's most highly regarded champions because of his ruthlessly efficient playing style, cool nerves and ability to convert the slimmest edge into a win:
Our personal observation took in verbal contrasts and juxtapositions with no fewer than seven of Carlsen's great predecessors, including Paul Morphy, José Raúl Capablanca, Alexander Alekhine, Bobby Fischer, Vasily Smyslov, Anatoly Karpov and, of course, Garry Kasparov. Occasionally, commentators offered variations on this theme. One very notable one, in seeking an adequate Carlsen comparison, yoked together two previous world champions. On November 15, 2013, Kasparov tweeted that he "once described him [Carlsen] as Capablanca with the will of Alekhine." Another pundit, Susan Polgar, one of the commentators during the live broadcast of Game 10, made use of commercial product language, the lingo of soaps and cell phone sales: she described Carlsen as "an improved version of Bobby Fischer."
Perhaps Carlsen is an "improved" Fischer in terms of relative psychological/emotional stability--and those traits are certainly important elements in maintaining one's status as the world's best chess player--but both the chess ratings and the anecdotal evidence suggest that Fischer towered over his contemporaries in a way that is unmatched by any other player except, possibly, Morphy. How can one compare Morphy to Fischer, let alone to Carlsen? Carlsen is a full-time chess professional who has a team of seconds at his disposal, plus access to computer technology that has changed the very nature of the sport. If such computers had existed in Morphy's day would they have leveled the playing field or would Morphy's genius intellect have enabled him to process extra information more rapidly than his rivals? Morphy's style inspired the players who came after him, much like Fischer inspired a generation and much like Carlsen is inspiring a generation. Erving's continuum of greatness can be readily seen when making these comparisons.
Carlsen is already the highest rated player of all-time and the second youngest linear World Champion, narrowly trailing Kasparov for the latter honor. Where should Carlsen rank in the chess pantheon? Carlsen, to this point, has not been as dominant as Fischer but Carlsen shares Fischer's will to win/fighting spirit. There is also more than a whiff of Capablanca's elegant, deceptive simplicity to Carlsen's games; Carlsen's ideas often seem obvious in retrospect but the fact that he consistently beats elite Grandmasters proves that his ideas are not at all obvious until he executes them over the board.
One important element is the test of time. Erving has a "10 year rule": a player should not even be considered for all-time great status until he has logged at least 10 professional seasons (Erving has mentioned that Gale Sayers is perhaps the only exception he will make to this rule). Fischer once declared that he would regularly accept challenges for his World Championship title but he never played an officially sanctioned game of chess after winning that title in 1972; at the other end of the spectrum, Wilhelm Steinitz stood atop the chess world for 28 years, Emanuel Lasker reigned as World Champion for 27 years and Garry Kasparov wore the linear World Championship crown for 15 years.
Whether Carlsen reigns for three years like Fischer or nearly three decades like Steinitz and Lasker, he has already permanently etched his name in chess history by virtue of the quality of his games, his record-breaking rating and his decisive victory against Viswanathan Anand, a great champion in his own right. An old school chess "starting five" analogous to Erving's basketball "starting five" might include Morphy, Steinitz, Lasker, Capablanca and Alekhine. That quintet will always be special--and it is possible to make room for Fischer, Kasparov and Carlsen without either forgetting the past or dismissing modern players as products of superior conditions and/or technology
Erving has reiterated his philosophy in multiple recent interviews that he has conducted as part of his tour to promote his autobiography, Dr. J. Erving has made it clear that he is in no way disparaging the accomplishments and/or skill level of players such as Michael Jordan, Magic Johnson, Larry Bird, Kobe Bryant and LeBron James but he strongly believes that the evolution of the game and the emergence of new stars do not diminish the greatness of the game's pioneers; each great player should be appreciated for what he accomplished in the context of his era. In Erving's view, those who operate at the highest levels of greatness are part of a continuum, not a hierarchy: Erving does not believe that his high-flying escapades eclipsed those of Baylor and Hawkins but rather that he continued down the mid-air path that they blazed, much as Jordan, Bryant and James have subsequently continued down that path as well.
Erving's approach could also be applied regarding a chess Pantheon. Olimpiu G. Urcan notes that recently crowned World Chess Champion Magnus Carlsen has evoked comparisons with many of the sport's most highly regarded champions because of his ruthlessly efficient playing style, cool nerves and ability to convert the slimmest edge into a win:
Our personal observation took in verbal contrasts and juxtapositions with no fewer than seven of Carlsen's great predecessors, including Paul Morphy, José Raúl Capablanca, Alexander Alekhine, Bobby Fischer, Vasily Smyslov, Anatoly Karpov and, of course, Garry Kasparov. Occasionally, commentators offered variations on this theme. One very notable one, in seeking an adequate Carlsen comparison, yoked together two previous world champions. On November 15, 2013, Kasparov tweeted that he "once described him [Carlsen] as Capablanca with the will of Alekhine." Another pundit, Susan Polgar, one of the commentators during the live broadcast of Game 10, made use of commercial product language, the lingo of soaps and cell phone sales: she described Carlsen as "an improved version of Bobby Fischer."
Perhaps Carlsen is an "improved" Fischer in terms of relative psychological/emotional stability--and those traits are certainly important elements in maintaining one's status as the world's best chess player--but both the chess ratings and the anecdotal evidence suggest that Fischer towered over his contemporaries in a way that is unmatched by any other player except, possibly, Morphy. How can one compare Morphy to Fischer, let alone to Carlsen? Carlsen is a full-time chess professional who has a team of seconds at his disposal, plus access to computer technology that has changed the very nature of the sport. If such computers had existed in Morphy's day would they have leveled the playing field or would Morphy's genius intellect have enabled him to process extra information more rapidly than his rivals? Morphy's style inspired the players who came after him, much like Fischer inspired a generation and much like Carlsen is inspiring a generation. Erving's continuum of greatness can be readily seen when making these comparisons.
Carlsen is already the highest rated player of all-time and the second youngest linear World Champion, narrowly trailing Kasparov for the latter honor. Where should Carlsen rank in the chess pantheon? Carlsen, to this point, has not been as dominant as Fischer but Carlsen shares Fischer's will to win/fighting spirit. There is also more than a whiff of Capablanca's elegant, deceptive simplicity to Carlsen's games; Carlsen's ideas often seem obvious in retrospect but the fact that he consistently beats elite Grandmasters proves that his ideas are not at all obvious until he executes them over the board.
One important element is the test of time. Erving has a "10 year rule": a player should not even be considered for all-time great status until he has logged at least 10 professional seasons (Erving has mentioned that Gale Sayers is perhaps the only exception he will make to this rule). Fischer once declared that he would regularly accept challenges for his World Championship title but he never played an officially sanctioned game of chess after winning that title in 1972; at the other end of the spectrum, Wilhelm Steinitz stood atop the chess world for 28 years, Emanuel Lasker reigned as World Champion for 27 years and Garry Kasparov wore the linear World Championship crown for 15 years.
Whether Carlsen reigns for three years like Fischer or nearly three decades like Steinitz and Lasker, he has already permanently etched his name in chess history by virtue of the quality of his games, his record-breaking rating and his decisive victory against Viswanathan Anand, a great champion in his own right. An old school chess "starting five" analogous to Erving's basketball "starting five" might include Morphy, Steinitz, Lasker, Capablanca and Alekhine. That quintet will always be special--and it is possible to make room for Fischer, Kasparov and Carlsen without either forgetting the past or dismissing modern players as products of superior conditions and/or technology
Monday, December 9, 2013
How Computers Have Impacted Modern Chess
Old school chess preparation involved a deep understanding of the knowledge/techniques presented in classic chess books written by the sport's greatest players, intensive studying of the biannual Chess Informants and an awareness of the new ideas published in various chess periodicals. In The Cyber-Renaissance in Chess, David Goodman and Christopher Chabris argue that powerful chess playing engines and multimillion game databases have transformed chess and elevated the quality of play:
Once laptops could routinely dispatch grandmasters, however, it became possible to integrate their analysis fully into other aspects of the game. Commentators at major tournaments now consult computers to check their judgment. Online, fans get excited when their own "engines" discover moves the players miss. And elite grandmasters use computers to test their opening plans and generate new ideas.
This wouldn't be very interesting if computers, with their ability to calculate millions of moves per second, were just correcting human blunders. But they are doing much more than that. When engines suggest surprising moves, or arrangements of pieces that look "ugly" to human sensibilities, they are often seeing more deeply into the game than their users. They are not perfect; sometimes long-term strategy still eludes them. But players have learned from computers that some kinds of chess positions are playable, or even advantageous, even though they might violate general principles. Having seen how machines go about attacking and especially defending, humans have become emboldened to try the same ideas.
Goodman and Chabris note that the rise of chess computers has been accompanied by a tremendous increase in both the number of Grandmasters in the world and the number of Grandmasters who have ratings of at least 2700:
When the first international rating list was published in 1971, the only player rated over 2,700 was Bobby Fischer. (In chess ratings, a 100-point advantage corresponds to an almost two-thirds chance of winning a match.) Fischer went on to beat Boris Spassky in their celebrated 1972 world championship match. In 1974 there were two players with 2,700 ratings: Fischer and his successor Anatoly Karpov. Even by 1997 there were just eight.
There are currently 50 players who sport 2700-plus ratings and Magnus Carlsen--who just won the World Chess Championship--has the highest rating of all-time, 2872. Computer analysis suggests that Carlsen and today's other elite grandmasters play more accurately than the grandmasters of previous eras did. Carlsen has been dubbed "the hero of the computer era" and his moves tend to mirror the top choices of the best computers even more than the moves of his chief rivals.
Does this mean that Carlsen is the greatest player of all-time and that he is lording over the toughest group of grandmasters in chess history? Not necessarily--while Carlsen's rating is higher than the best rating achieved by Bobby Fischer, Fischer was much further ahead of his contemporaries than Carlsen is: Carlsen's rating is 69 points higher than the rating of the number two player (Levon Aronian) but Fischer's July 1972 rating (2785, which stood as the record for 18 years) was 125 points higher than the rating of the number two player (Spassky). Fischer stood head and shoulders above even his greatest rivals and it is reasonable to assume that, given the opportunity to train with modern computers, Fischer's talent and work ethic would have similarly lifted him above today's players as well.
Such speculation does not in any way diminish the significance of Carlsen's accomplishments; Carlsen appears to possess better emotional/psychological balance than Fischer did, so Carlsen's talent, charisma and energy combined with the technological advances that enable average players to closely follow grandmaster games could help chess become more of a mainstream sport than it has ever been.
Once laptops could routinely dispatch grandmasters, however, it became possible to integrate their analysis fully into other aspects of the game. Commentators at major tournaments now consult computers to check their judgment. Online, fans get excited when their own "engines" discover moves the players miss. And elite grandmasters use computers to test their opening plans and generate new ideas.
This wouldn't be very interesting if computers, with their ability to calculate millions of moves per second, were just correcting human blunders. But they are doing much more than that. When engines suggest surprising moves, or arrangements of pieces that look "ugly" to human sensibilities, they are often seeing more deeply into the game than their users. They are not perfect; sometimes long-term strategy still eludes them. But players have learned from computers that some kinds of chess positions are playable, or even advantageous, even though they might violate general principles. Having seen how machines go about attacking and especially defending, humans have become emboldened to try the same ideas.
Goodman and Chabris note that the rise of chess computers has been accompanied by a tremendous increase in both the number of Grandmasters in the world and the number of Grandmasters who have ratings of at least 2700:
When the first international rating list was published in 1971, the only player rated over 2,700 was Bobby Fischer. (In chess ratings, a 100-point advantage corresponds to an almost two-thirds chance of winning a match.) Fischer went on to beat Boris Spassky in their celebrated 1972 world championship match. In 1974 there were two players with 2,700 ratings: Fischer and his successor Anatoly Karpov. Even by 1997 there were just eight.
There are currently 50 players who sport 2700-plus ratings and Magnus Carlsen--who just won the World Chess Championship--has the highest rating of all-time, 2872. Computer analysis suggests that Carlsen and today's other elite grandmasters play more accurately than the grandmasters of previous eras did. Carlsen has been dubbed "the hero of the computer era" and his moves tend to mirror the top choices of the best computers even more than the moves of his chief rivals.
Does this mean that Carlsen is the greatest player of all-time and that he is lording over the toughest group of grandmasters in chess history? Not necessarily--while Carlsen's rating is higher than the best rating achieved by Bobby Fischer, Fischer was much further ahead of his contemporaries than Carlsen is: Carlsen's rating is 69 points higher than the rating of the number two player (Levon Aronian) but Fischer's July 1972 rating (2785, which stood as the record for 18 years) was 125 points higher than the rating of the number two player (Spassky). Fischer stood head and shoulders above even his greatest rivals and it is reasonable to assume that, given the opportunity to train with modern computers, Fischer's talent and work ethic would have similarly lifted him above today's players as well.
Such speculation does not in any way diminish the significance of Carlsen's accomplishments; Carlsen appears to possess better emotional/psychological balance than Fischer did, so Carlsen's talent, charisma and energy combined with the technological advances that enable average players to closely follow grandmaster games could help chess become more of a mainstream sport than it has ever been.
Friday, November 29, 2013
Anand Agonistes
It has been said that athletes die twice, with their first death coming at the end of their sporting careers. Perhaps the greatest athletes in a given sport die three times: first when their primacy is challenged/overthrown, second when they are no longer capable of playing competitively at all and third when they pass away in the same fashion as all other mortal beings. If this is true, then Viswanathan Anand--barring a highly unlikely rise back to the top of the chess world--has experienced the first of his three deaths.
Anand was the undisputed World Chess Champion from 2007-2013, winning or defending the linear World Chess Championship four consecutive times (2007, 2008, 2010, 2012). The 22 year old Magnus Carlsen dethroned the 43 year old Anand in a 6.5-3.5 rout that will likely be remembered as a changing of the guard moment in chess history. Carlsen seems poised to enjoy a long reign at the top, while if Anand continues to play competitively his rating will inevitably follow the inexorably downward path previously traversed by all other former World Champions who remained on the scene.
It is worth remembering that before becoming an elder statesman Anand was once a wunderkind--and that despite his tactical acumen and dazzlingly fast rate of play there were some doubts if he possessed all of the necessary qualities to become the World Chess Champion. Anand convincingly refuted his skeptics by winning the 2007 World Championship Tournament and then by defending his crown in matches against Vladimir Kramnik, Veselin Topalov and Boris Gelfand.
Cathy Forbes' 1993 Inside Chess Interview with Anand provides a fascinating, time capsule view of Anand before he reached the chess summit. Here are some choice excerpts (Forbes' comments and questions are set in regular type, while Anand's answers are set in bold); the first three paragraphs are taken from Forbes' introduction, while the remaining passages are taken from the interview itself:
Vishy talks the way he used to play chess--like a machine gun. His play may have slowed down, but not his speech. Never has my tape-recorder been so strenuously rewound for fear of missing some pearl of this great player's wisdom.
He radiates warmth, self-confidence and self-containment. His facetious, but gentle, sense of humour surfaces frequently, his giggle is infectious; incredibly enough, he seems happy.
Where is the eccentricity, the pain, the paranoia, the surliness, the arrogance, the obsessiveness of the top chess man? Surely he must be too good to be true?
**********
People have said that Anand's play is all tricks.
I don't deny that tactics play a part in my game, but I'm a changing player, I've been changing a lot over the last few years. I think my style now, compared with 1990 or 1991, has changed quite a lot. I'm playing a lot more solid openings...on the other hand, I've lost some of the, let's say, sangfroid (laughter).
Nothing is happening in my chess career that I'm worried about, let's put it that way. There's still lots of scope for improvement, this is clear. I'm not the best player in the world at the moment, nor am I clear number two or three, but I'm one of the top players, my chess is improving and life's going well.
Tell me how you study.
Generally, I read a lot, but always in a very disorganized way. I never think, "What are my repertoire problems, and how am I going to work them out?" I just kept on reading, and a lot of it came in handy. Where I come from, India, this approach is normal. Indian players don't think about this guy's weaknesses, how to avoid all these transpositions--you don't think like this in India. Only in the Candidates Matches did I start to get some picture about how these things work. Then I did some really serious work on the opening.
I got ChessBase at the end of '89. I've been carrying it around since the Interzonal. It's almost indispensable, because without it at a tournament, the reality is that you won't know what your opponents have been doing recently and everyone else will have it.
If Kasparov came to one tournament without his computer, he could probably get away with it. But if he started to do it regularly, then the gaps in his information would start to pile up.
You need the computer to make some preparation, basically. If you want to study something, you still have to do all the studying yourself--the computer won't help you. It will just give you information on hand. The only thing the computer saves you is reinventing the wheel. I mean, if some great idea has already been played before, you're wasting your time.
Is chess a sport in your view?
Absolutely! Clearly! The sporting aspect always comes to the fore...If you asked me, would I like to be the most beautiful world champion in history or the most successful one, I'd choose the latter...most chess players would. There's always going to be a trade-off between success and beauty. Beauty is nice when it comes along, but...
**********
Forbes also presented some longer Anand statements that he made in response to more general questions. For instance, here is part of Anand's take on the chess politics of the late 1980s and early 1990s:
I wasn't really involved in the early struggles of the GMA, but already in 1988 I realized one thing: you need some non-chess players knocking some sanity into all these Grandmasters. Chess players generally live in a world of their own. Even though they dislike each other, hate each other, like Karpov and Kasparov, Karpov and Korchnoi, they have very enjoyable analysis sessions and postmortems. It's very nice that they can talk about chess, but on other matters they can be a bit wacky. Just completely out.
For instance, among many players there is an almost ingrained hatred for rapid chess, which I find very annoying. Look what one-day cricket has done for cricket. You need to change with the times.
**********
Finally, Anand's take on how the underdog Nigel Short should approach his upcoming World Chess Championship match against Garry Kasparov is fascinating in light of the uphill challenge that Anand just faced against the heavily favored Carlsen. The strategy Anand described is the one that he attempted to use against Carlsen--avoid disastrous mistakes, keep the score close, hope that the favorite gets nervous the longer that the outcome of the match remains in doubt--but both Kasparov and Carlsen demonstrated that their brute playing strength and cool nerves were too much for their respective opponents to overcome. It is reasonable to assume that Anand applied the same logic to his own situation prior to the Carlsen match and came to the conclusion that he had very little practical chance to beat Carlsen; before the match, Vladimir Kramnik declared that Anand "is somewhat intimidated" by Carlsen and the result backed up that analysis: Anand's timid, error-filled performance even in equal or superior positions versus Carlsen supports the theory that Anand lacked confidence that he could prevail against a younger, stronger and more consistent opponent.
Here is how Anand regarded Short's chances (Kasparov ultimately won, 12.5-7.5, the most lopsided linear World Chess Championship match by winning percentage [.625] since 1950 until Carlsen posted a .650 winning percentage against Anand) :
Well, Gazza is clear, clear favorite, no doubt about this. First of all, compare his performance in Linares, winning here this year, with Nigel's performance [last place] last year--not interesting. There is absolutely no doubt that if things go normally, Garry will probably win. But put yourself in Nigel's place. For him to give up now, to accept this view, is suicide. He has to, at least, keep the idea that he has a chance. And I believe he does have some chance. Kasparov is almost 200 rating points ahead, Nigel has a score of minus ten against him.
But Nigel doesn't have to go into the lead. What Karpov did against Kasparov in New York was brilliant. He was not leading, and Kasparov was really going for him, but Karpov always recovered, and Kasparov got very wobbly in Lyon before he eventually pulled himself together. If Nigel can learn something from this, I think he can, without too much difficulty, make it a close fight.
I believe, with some effort, Nigel can avoid getting wiped out. If he is well prepared, if he is in the match at the half-way stage, say only one point down; if he has produced some chances, Kasparov can get very edgy. If you play someone who is much weaker than you, and you're fighting for your chances, it can feel very uncomfortable.
For Nigel to win the match would be enormously difficult. Everything before, the Candidates, even the Candidates Final--will seem like a picnic. He has to look at his chances realistically, and be prepared to fight, but he has done this everywhere. In tournaments Nigel gives the impression that he couldn't care less, but in matches, he always manages to pull himself together.
For instance, there's a big difference even between drawing the match at 12-12 and letting Kasparov keep the title, and winning it 12.5-11.5. That's much, much, much more than half a point. The day Kasparov thinks he's about to lose the match, he's going to have everything put into it. He's going to fight with every bone in his body. If you cut his arms and legs off, he'll fight with his teeth.
I think I can speak for Kasparov when I say that he likes being World Champion. He'd be pretty upset about not being World Champion anymore. I don't think he can imagine life without being World Champion.
If Nigel comes to the point of beating Kasparov, he will really be working for all the millions he's making. He won't have gotten anything free. Okay, it's not a likely scenario, but let's imagine Nigel a point up with four games to go. Those games would be nightmares for Nigel--but pleasant nightmares, of course.
Anand was the undisputed World Chess Champion from 2007-2013, winning or defending the linear World Chess Championship four consecutive times (2007, 2008, 2010, 2012). The 22 year old Magnus Carlsen dethroned the 43 year old Anand in a 6.5-3.5 rout that will likely be remembered as a changing of the guard moment in chess history. Carlsen seems poised to enjoy a long reign at the top, while if Anand continues to play competitively his rating will inevitably follow the inexorably downward path previously traversed by all other former World Champions who remained on the scene.
It is worth remembering that before becoming an elder statesman Anand was once a wunderkind--and that despite his tactical acumen and dazzlingly fast rate of play there were some doubts if he possessed all of the necessary qualities to become the World Chess Champion. Anand convincingly refuted his skeptics by winning the 2007 World Championship Tournament and then by defending his crown in matches against Vladimir Kramnik, Veselin Topalov and Boris Gelfand.
Cathy Forbes' 1993 Inside Chess Interview with Anand provides a fascinating, time capsule view of Anand before he reached the chess summit. Here are some choice excerpts (Forbes' comments and questions are set in regular type, while Anand's answers are set in bold); the first three paragraphs are taken from Forbes' introduction, while the remaining passages are taken from the interview itself:
Vishy talks the way he used to play chess--like a machine gun. His play may have slowed down, but not his speech. Never has my tape-recorder been so strenuously rewound for fear of missing some pearl of this great player's wisdom.
He radiates warmth, self-confidence and self-containment. His facetious, but gentle, sense of humour surfaces frequently, his giggle is infectious; incredibly enough, he seems happy.
Where is the eccentricity, the pain, the paranoia, the surliness, the arrogance, the obsessiveness of the top chess man? Surely he must be too good to be true?
**********
People have said that Anand's play is all tricks.
I don't deny that tactics play a part in my game, but I'm a changing player, I've been changing a lot over the last few years. I think my style now, compared with 1990 or 1991, has changed quite a lot. I'm playing a lot more solid openings...on the other hand, I've lost some of the, let's say, sangfroid (laughter).
Nothing is happening in my chess career that I'm worried about, let's put it that way. There's still lots of scope for improvement, this is clear. I'm not the best player in the world at the moment, nor am I clear number two or three, but I'm one of the top players, my chess is improving and life's going well.
Tell me how you study.
Generally, I read a lot, but always in a very disorganized way. I never think, "What are my repertoire problems, and how am I going to work them out?" I just kept on reading, and a lot of it came in handy. Where I come from, India, this approach is normal. Indian players don't think about this guy's weaknesses, how to avoid all these transpositions--you don't think like this in India. Only in the Candidates Matches did I start to get some picture about how these things work. Then I did some really serious work on the opening.
I got ChessBase at the end of '89. I've been carrying it around since the Interzonal. It's almost indispensable, because without it at a tournament, the reality is that you won't know what your opponents have been doing recently and everyone else will have it.
If Kasparov came to one tournament without his computer, he could probably get away with it. But if he started to do it regularly, then the gaps in his information would start to pile up.
You need the computer to make some preparation, basically. If you want to study something, you still have to do all the studying yourself--the computer won't help you. It will just give you information on hand. The only thing the computer saves you is reinventing the wheel. I mean, if some great idea has already been played before, you're wasting your time.
Is chess a sport in your view?
Absolutely! Clearly! The sporting aspect always comes to the fore...If you asked me, would I like to be the most beautiful world champion in history or the most successful one, I'd choose the latter...most chess players would. There's always going to be a trade-off between success and beauty. Beauty is nice when it comes along, but...
**********
Forbes also presented some longer Anand statements that he made in response to more general questions. For instance, here is part of Anand's take on the chess politics of the late 1980s and early 1990s:
I wasn't really involved in the early struggles of the GMA, but already in 1988 I realized one thing: you need some non-chess players knocking some sanity into all these Grandmasters. Chess players generally live in a world of their own. Even though they dislike each other, hate each other, like Karpov and Kasparov, Karpov and Korchnoi, they have very enjoyable analysis sessions and postmortems. It's very nice that they can talk about chess, but on other matters they can be a bit wacky. Just completely out.
For instance, among many players there is an almost ingrained hatred for rapid chess, which I find very annoying. Look what one-day cricket has done for cricket. You need to change with the times.
**********
Finally, Anand's take on how the underdog Nigel Short should approach his upcoming World Chess Championship match against Garry Kasparov is fascinating in light of the uphill challenge that Anand just faced against the heavily favored Carlsen. The strategy Anand described is the one that he attempted to use against Carlsen--avoid disastrous mistakes, keep the score close, hope that the favorite gets nervous the longer that the outcome of the match remains in doubt--but both Kasparov and Carlsen demonstrated that their brute playing strength and cool nerves were too much for their respective opponents to overcome. It is reasonable to assume that Anand applied the same logic to his own situation prior to the Carlsen match and came to the conclusion that he had very little practical chance to beat Carlsen; before the match, Vladimir Kramnik declared that Anand "is somewhat intimidated" by Carlsen and the result backed up that analysis: Anand's timid, error-filled performance even in equal or superior positions versus Carlsen supports the theory that Anand lacked confidence that he could prevail against a younger, stronger and more consistent opponent.
Here is how Anand regarded Short's chances (Kasparov ultimately won, 12.5-7.5, the most lopsided linear World Chess Championship match by winning percentage [.625] since 1950 until Carlsen posted a .650 winning percentage against Anand) :
Well, Gazza is clear, clear favorite, no doubt about this. First of all, compare his performance in Linares, winning here this year, with Nigel's performance [last place] last year--not interesting. There is absolutely no doubt that if things go normally, Garry will probably win. But put yourself in Nigel's place. For him to give up now, to accept this view, is suicide. He has to, at least, keep the idea that he has a chance. And I believe he does have some chance. Kasparov is almost 200 rating points ahead, Nigel has a score of minus ten against him.
But Nigel doesn't have to go into the lead. What Karpov did against Kasparov in New York was brilliant. He was not leading, and Kasparov was really going for him, but Karpov always recovered, and Kasparov got very wobbly in Lyon before he eventually pulled himself together. If Nigel can learn something from this, I think he can, without too much difficulty, make it a close fight.
I believe, with some effort, Nigel can avoid getting wiped out. If he is well prepared, if he is in the match at the half-way stage, say only one point down; if he has produced some chances, Kasparov can get very edgy. If you play someone who is much weaker than you, and you're fighting for your chances, it can feel very uncomfortable.
For Nigel to win the match would be enormously difficult. Everything before, the Candidates, even the Candidates Final--will seem like a picnic. He has to look at his chances realistically, and be prepared to fight, but he has done this everywhere. In tournaments Nigel gives the impression that he couldn't care less, but in matches, he always manages to pull himself together.
For instance, there's a big difference even between drawing the match at 12-12 and letting Kasparov keep the title, and winning it 12.5-11.5. That's much, much, much more than half a point. The day Kasparov thinks he's about to lose the match, he's going to have everything put into it. He's going to fight with every bone in his body. If you cut his arms and legs off, he'll fight with his teeth.
I think I can speak for Kasparov when I say that he likes being World Champion. He'd be pretty upset about not being World Champion anymore. I don't think he can imagine life without being World Champion.
If Nigel comes to the point of beating Kasparov, he will really be working for all the millions he's making. He won't have gotten anything free. Okay, it's not a likely scenario, but let's imagine Nigel a point up with four games to go. Those games would be nightmares for Nigel--but pleasant nightmares, of course.
Friday, November 22, 2013
Magnus Carlsen Captures the World Chess Championship
"One man alone cannot fight the future."--Conrad Strughold, "The X-Files: Fight the Future"
"The race is not always to the swift, nor the battle to the strong, but that's how the smart money bets."--Damon Runyon
Magnus Carlsen displayed brilliance, patience, energy, stamina and steady nerves as he defeated Viswanathan Anand 6.5-3.5 to become the World Chess Champion. Carlsen, who previously established himself as the highest rated player in chess history, is the 16th linear World Chess Champion, joining an elite group started by Wilhelm Steinitz and including the two chess players who even most non-chess players know about: Garry Kasparov and Bobby Fischer.
Prior to the match, some Anand supporters suggested/hoped that Anand's vast match experience and his success in winning world championships in various formats/time controls would give him an edge over his much younger challenger but in chess--as in most sports--it is inevitable that youth will eventually be served: Babe Ruth, Muhammad Ali and Michael Jordan all fell victim to Father Time, in the guise of the next generation of competitors eager to enjoy their time in the sun.
After the players opened the match with four straight draws, Carlsen delivered a knockout blow by scoring consecutive wins. Anand fought hard to draw games seven and eight but then he blundered in game nine to give Carlsen an insurmountable lead. Carlsen comfortably drew the 10th game to clinch the match victory. Carlsen seized the title with two games to spare in what will be remembered as one of the most lopsided championship battles in chess history; this is the first time in Anand's distinguished career that he did not score at least one win in a World Championship match.
Carlsen stayed true to his relentless, uncompromising approach throughout the match; in the final game he eschewed a potential early draw that would have dethroned Anand, instead seeking victory while also risking defeat and forcing the champion to tenaciously defend for several hours before the position simplified to a clear draw. Carlsen is both a quintessentially modern player and a throwback to previous eras; in the opening he obtains deceptively simple--and at times unorthodox--positions in order to render useless any pre-game computer preparation undertaken by his opponents but in the middlegame and endgame he is a relentless competitor/cool calculator in the mold of Garry Kasparov and Bobby Fischer. When you sit down to play Magnus Carlsen you must expect a fight to the bitter end, even if the position seems devoid of winning chances and even if a draw is as good as a win for Carlsen due to the tournament/match situation.
Anand was a great champion and a gentlemanly competitor during his reign; chess lovers hope and expect that Carlsen will take the sport to even greater heights thanks to his youth, his appeal to non-chessplayers and the lyrical virtuosity of his games--a quality that has inspired GM Lubomir Kavalek to dub him "The Mozart of Chess."
"The race is not always to the swift, nor the battle to the strong, but that's how the smart money bets."--Damon Runyon
Magnus Carlsen displayed brilliance, patience, energy, stamina and steady nerves as he defeated Viswanathan Anand 6.5-3.5 to become the World Chess Champion. Carlsen, who previously established himself as the highest rated player in chess history, is the 16th linear World Chess Champion, joining an elite group started by Wilhelm Steinitz and including the two chess players who even most non-chess players know about: Garry Kasparov and Bobby Fischer.
Prior to the match, some Anand supporters suggested/hoped that Anand's vast match experience and his success in winning world championships in various formats/time controls would give him an edge over his much younger challenger but in chess--as in most sports--it is inevitable that youth will eventually be served: Babe Ruth, Muhammad Ali and Michael Jordan all fell victim to Father Time, in the guise of the next generation of competitors eager to enjoy their time in the sun.
After the players opened the match with four straight draws, Carlsen delivered a knockout blow by scoring consecutive wins. Anand fought hard to draw games seven and eight but then he blundered in game nine to give Carlsen an insurmountable lead. Carlsen comfortably drew the 10th game to clinch the match victory. Carlsen seized the title with two games to spare in what will be remembered as one of the most lopsided championship battles in chess history; this is the first time in Anand's distinguished career that he did not score at least one win in a World Championship match.
Carlsen stayed true to his relentless, uncompromising approach throughout the match; in the final game he eschewed a potential early draw that would have dethroned Anand, instead seeking victory while also risking defeat and forcing the champion to tenaciously defend for several hours before the position simplified to a clear draw. Carlsen is both a quintessentially modern player and a throwback to previous eras; in the opening he obtains deceptively simple--and at times unorthodox--positions in order to render useless any pre-game computer preparation undertaken by his opponents but in the middlegame and endgame he is a relentless competitor/cool calculator in the mold of Garry Kasparov and Bobby Fischer. When you sit down to play Magnus Carlsen you must expect a fight to the bitter end, even if the position seems devoid of winning chances and even if a draw is as good as a win for Carlsen due to the tournament/match situation.
Anand was a great champion and a gentlemanly competitor during his reign; chess lovers hope and expect that Carlsen will take the sport to even greater heights thanks to his youth, his appeal to non-chessplayers and the lyrical virtuosity of his games--a quality that has inspired GM Lubomir Kavalek to dub him "The Mozart of Chess."
Sunday, November 10, 2013
Reggie Jackson Laments How the PED Users Defiled MLB's Record Book
Reggie Jackson ranked sixth on MLB's career home run list with 563 home runs when he retired in 1987 but he has now dropped to 13th--largely because of the influx of PED users, the horde of barbarians at the gate who have defiled and destroyed baseball's once sacred record book. In a recent interview with Keith Olbermann, Jackson agreed with the fans who are justifiably upset and disappointed by how a few unscrupulous, greedy cheaters have caused such great damage to baseball. You can watch the entire interview here:
Here is the specific Jackson quote about PED users and their impact on the game: "I think that my editorial, my response, is the same as everybody's: embarrassed, feel terrible about it. I remember telling stories about it five, six, seven years ago and tears would come into my eyes because I happen to be a baseball fan that was a pretty good player and got to hit home runs as a fan, OK? So the things that Mays and Ruth and Aaron and Koufax and Duke Snider and the great players did, I just thought that they were part of American folklore and I never really wanted them changed. I think that I feel the same as any other fan does."
Here is the specific Jackson quote about PED users and their impact on the game: "I think that my editorial, my response, is the same as everybody's: embarrassed, feel terrible about it. I remember telling stories about it five, six, seven years ago and tears would come into my eyes because I happen to be a baseball fan that was a pretty good player and got to hit home runs as a fan, OK? So the things that Mays and Ruth and Aaron and Koufax and Duke Snider and the great players did, I just thought that they were part of American folklore and I never really wanted them changed. I think that I feel the same as any other fan does."
Friday, November 8, 2013
Luck and the World Chess Championship
"I don't believe in luck. I make it, and I take it, but I don't stand around waiting for it to happen."--Vinnie Terranova, "Wiseguy"
Like fictional Organized Crime Bureau undercover agent Vinnie Terranova, I do not believe in luck--particularly in arenas where skill can and should prevail. Matthew Wilson's three part series for Chessbase.com titled Are the chess World Champions just lucky? examines the margins of victory of various World Championship matches and attempts to ascertain whether the championship winners displayed statistically significant dominance or if the winners were "lucky" (meaning that there is at least a reasonable probability that the objectively weaker player won the match).
Max Euwe's 15.5-14.5 victory over Alexander Alekhine in the 1935 World Chess Championship does not look decisive either to a casual chess fan or to a statistically-minded observer, particularly considering that Alekhine prevailed 15.5-9.5 in the 1937 rematch. Wilson reaffirms the widely held view that "it is unlikely that Euwe is his equal."
Wilson concludes that Bobby Fischer's 12.5-8.5 victory over Boris Spassky in the 1972 World Chess Championship is statistically significant; based on the players' pre-match ratings, Wilson calculates that there was only an 8.3% chance for Fischer to win so decisively (Wilson actually used 12.5-7.5 in his analysis, disregarding the unplayed game that Fischer forfeited). In marked contrast, the official FIDE World Championship titles won in knockout-style tournaments by Alexander Khalifman, Ruslan Ponomariov and Rustam Kasimdzhanov in the late 1990s and early 2000s "were denounced as being little more than lotteries and FIDE overhauled the championship cycle." The big difference is that the short knockout-style matches introduced tremendous randomness into the results; the best player will almost certainly win a lengthy match but a weaker player has a puncher's chance in a short match with fast time controls, much like a recreational basketball player is highly unlikely to beat LeBron James in a one on one game played to 21 points but the amateur could prevail in a game played under the condition that the first made basket wins.
What about the epic Garry Kasparov-Anatoly Karpov duels from the 1980s and 1990s? Kasparov only enjoys a slight overall edge in terms of the aggregate score but Wilson looks at the matchup from a different statistical perspective: "Starting from 1985, what is the probability of winning 3.5 matches out of four against Karpov?" Wilson says that this probability is less than 20%, a number that "is still not statistically significant. But if we combine this information with Kasparov's numerous tournament victories and his long reign as the #1 rated player (there are only two rating lists from 1985-2004 that do not have him at the top), then it is easy to persuade yourself that Kasparov truly was the best player in the world at his time."
The next World Chess Championship match begins on Saturday, with World Champion Viswanathan Anand defending his title against Magnus Carlsen, who sports the highest rating in chess history.
Carlsen outrates Anand by more than 80 points. Wilson ran thousands of simulations under various conditions but no matter how the numbers are tweaked Carlsen emerges as a huge favorite; even if generous statistical assumptions are made on Anand's behalf, Carlsen wins more than 77% of the simulations. The probability that Carlsen triumphs by a statistically significant margin--defined by Wilson as 7-3 or greater--is much larger than the probability that Anand prevails at all. Of course, rating differences and statistical simulations do not take into account match experience and other psychological factors that can be very important in any high level competition.
The Anand-Carlsen match is scheduled for 12 standard length games and if the match ends in a 6-6 tie then the championship will be decided by the outcome of successively faster tiebreak matches, starting with four rapid games. Is this the ideal format to prove who is the world's best chess player? Wilson suggests that the length of World Chess Championship matches should be determined by what he calls "The 50 Point Principle," namely "If one player's strength is 50 rating points above his opponent's, then the match has to be designed so that the better player wins 90% of the time...The shortest way to satisfy the 50 point principle is a 26 game match with a two game tiebreaker if the match is drawn 13-13. Fortunately, the traditional 24 game matches were very close to respecting the 50 point principle...So to answer the question asked in the beginning, most of the world champions are not just lucky, since the better player will prevail in a large majority of the standard 24 game matches."
Like fictional Organized Crime Bureau undercover agent Vinnie Terranova, I do not believe in luck--particularly in arenas where skill can and should prevail. Matthew Wilson's three part series for Chessbase.com titled Are the chess World Champions just lucky? examines the margins of victory of various World Championship matches and attempts to ascertain whether the championship winners displayed statistically significant dominance or if the winners were "lucky" (meaning that there is at least a reasonable probability that the objectively weaker player won the match).
Max Euwe's 15.5-14.5 victory over Alexander Alekhine in the 1935 World Chess Championship does not look decisive either to a casual chess fan or to a statistically-minded observer, particularly considering that Alekhine prevailed 15.5-9.5 in the 1937 rematch. Wilson reaffirms the widely held view that "it is unlikely that Euwe is his equal."
Wilson concludes that Bobby Fischer's 12.5-8.5 victory over Boris Spassky in the 1972 World Chess Championship is statistically significant; based on the players' pre-match ratings, Wilson calculates that there was only an 8.3% chance for Fischer to win so decisively (Wilson actually used 12.5-7.5 in his analysis, disregarding the unplayed game that Fischer forfeited). In marked contrast, the official FIDE World Championship titles won in knockout-style tournaments by Alexander Khalifman, Ruslan Ponomariov and Rustam Kasimdzhanov in the late 1990s and early 2000s "were denounced as being little more than lotteries and FIDE overhauled the championship cycle." The big difference is that the short knockout-style matches introduced tremendous randomness into the results; the best player will almost certainly win a lengthy match but a weaker player has a puncher's chance in a short match with fast time controls, much like a recreational basketball player is highly unlikely to beat LeBron James in a one on one game played to 21 points but the amateur could prevail in a game played under the condition that the first made basket wins.
What about the epic Garry Kasparov-Anatoly Karpov duels from the 1980s and 1990s? Kasparov only enjoys a slight overall edge in terms of the aggregate score but Wilson looks at the matchup from a different statistical perspective: "Starting from 1985, what is the probability of winning 3.5 matches out of four against Karpov?" Wilson says that this probability is less than 20%, a number that "is still not statistically significant. But if we combine this information with Kasparov's numerous tournament victories and his long reign as the #1 rated player (there are only two rating lists from 1985-2004 that do not have him at the top), then it is easy to persuade yourself that Kasparov truly was the best player in the world at his time."
The next World Chess Championship match begins on Saturday, with World Champion Viswanathan Anand defending his title against Magnus Carlsen, who sports the highest rating in chess history.
Carlsen outrates Anand by more than 80 points. Wilson ran thousands of simulations under various conditions but no matter how the numbers are tweaked Carlsen emerges as a huge favorite; even if generous statistical assumptions are made on Anand's behalf, Carlsen wins more than 77% of the simulations. The probability that Carlsen triumphs by a statistically significant margin--defined by Wilson as 7-3 or greater--is much larger than the probability that Anand prevails at all. Of course, rating differences and statistical simulations do not take into account match experience and other psychological factors that can be very important in any high level competition.
The Anand-Carlsen match is scheduled for 12 standard length games and if the match ends in a 6-6 tie then the championship will be decided by the outcome of successively faster tiebreak matches, starting with four rapid games. Is this the ideal format to prove who is the world's best chess player? Wilson suggests that the length of World Chess Championship matches should be determined by what he calls "The 50 Point Principle," namely "If one player's strength is 50 rating points above his opponent's, then the match has to be designed so that the better player wins 90% of the time...The shortest way to satisfy the 50 point principle is a 26 game match with a two game tiebreaker if the match is drawn 13-13. Fortunately, the traditional 24 game matches were very close to respecting the 50 point principle...So to answer the question asked in the beginning, most of the world champions are not just lucky, since the better player will prevail in a large majority of the standard 24 game matches."
Wednesday, October 30, 2013
"Football is Chess"
Rich Cohen's new book Monsters: The 1985 Chicago Bears and the Wild Heart of Football provides a behind the scenes account of one of the most dominating teams in NFL history. In a Wall Street Journal excerpt, Cohen explains that the 15-1, Super Bowl champion Bears faced their greatest challenge not on game days but rather in practice when their offense battled the innovative "46 Defense" invented by defensive coordinator Buddy Ryan. Coach Mike Ditka constantly feuded with Ryan but Ditka could not fire Ryan because Ryan had cut a special deal with Bears' owner George Halas.
Cohen, using insight gathered from an interview with Chicago safety Doug Plank, describes how Ryan's defense wreaked so much havoc:
"Buddy operated by numbers," Plank said. "There were no names. You were either an adjective, and not a very complimentary one, or you were the number on your jersey. I was 46. Being a number was an honor. It meant you weren't an adjective. Here comes this master sergeant from the Korean War and he started to develop and encourage pride in being part of a special unit, a defensive squad."
In his first years in Chicago, Ryan was coaching mostly mediocre players. On many days, the Bears were outclassed. To compete, he had to improvise. "He was experimenting with defenses," Plank said. "He was going wild, looking for some way to generate a pass rush. You'd go into a meeting and see a bunch of crazy formations on the board. He'd go through each and say, 'OK, here's what we're going to try.' And someone would say, 'What do you call it?' Buddy didn't use X's and O's.
"When he put things on the board, it was numbers. He named formations after the number in the center of the formation. So one morning we go in and sure enough there's a new defense with my number in the middle: the 46."
In the standard 4-3 defensive alignment, the offense's center usually wasn't "covered," meaning no one lined up directly in front of him. This usually allowed the center to double-team a pass-rusher. But Ryan moved a linebacker to the line of scrimmage, then shifted Plank into the gap left by that linebacker. This meant none of Ryan's rushers could be double-teamed.
On a blitz in Ryan's defense, another linebacker or safety might creep up to the line and hide behind a big defensive end. As a result, there were often more rushers than blockers, which is why, in 1985, it often looked as if the Bears had too many players on the field. Buddy called the hidden blitzers free runners. "Confuse the offense until they have no idea where you're coming from--that is what creates a free runner," Plank said. "A free runner is an unblocked defensive player, and he gets to the quarterback so much faster...When a free runner hits the quarterback, the quarterback flies through the air."
In fulfilling an age-old playground fantasy, Ryan had decided to hell with it, and seemingly sent all his guys after the quarterback with a simple mission: Nail him. Rather than try to cover everyone, Ryan decided to short-circuit the offense by taking out the quarterback. As boxers used to say: Kill the brain, and the body will follow.
"Football is chess," Plank said. "You can capture all my pawns, but if I tip over that king, I win."
Plank's analogy is apropos on more than one level: football and chess are both very strategically complex games and football and chess are both very violent games. The latter assertion may seem dubious to anyone who has only played chess casually with friends/relatives but tournament chess is violent, as noted by Grandmaster Lubomir Kavalek:
It doesn't hurt your body, but your brain, your ego. Instead of concussions chess players suffer humiliation after a terrible loss. They start to question their confidence, doubting the worthiness of what they do.
Opposing quarterbacks had to stay strong in the face of the way that Ryan's defense sought to "kill the brain" and tournament chess players face a similarly daunting challenge: they must stay mentally and emotionally strong to avoid having their brains killed by the stresses and strains imposed by hours of relentless competition.
Cohen, using insight gathered from an interview with Chicago safety Doug Plank, describes how Ryan's defense wreaked so much havoc:
"Buddy operated by numbers," Plank said. "There were no names. You were either an adjective, and not a very complimentary one, or you were the number on your jersey. I was 46. Being a number was an honor. It meant you weren't an adjective. Here comes this master sergeant from the Korean War and he started to develop and encourage pride in being part of a special unit, a defensive squad."
In his first years in Chicago, Ryan was coaching mostly mediocre players. On many days, the Bears were outclassed. To compete, he had to improvise. "He was experimenting with defenses," Plank said. "He was going wild, looking for some way to generate a pass rush. You'd go into a meeting and see a bunch of crazy formations on the board. He'd go through each and say, 'OK, here's what we're going to try.' And someone would say, 'What do you call it?' Buddy didn't use X's and O's.
"When he put things on the board, it was numbers. He named formations after the number in the center of the formation. So one morning we go in and sure enough there's a new defense with my number in the middle: the 46."
In the standard 4-3 defensive alignment, the offense's center usually wasn't "covered," meaning no one lined up directly in front of him. This usually allowed the center to double-team a pass-rusher. But Ryan moved a linebacker to the line of scrimmage, then shifted Plank into the gap left by that linebacker. This meant none of Ryan's rushers could be double-teamed.
On a blitz in Ryan's defense, another linebacker or safety might creep up to the line and hide behind a big defensive end. As a result, there were often more rushers than blockers, which is why, in 1985, it often looked as if the Bears had too many players on the field. Buddy called the hidden blitzers free runners. "Confuse the offense until they have no idea where you're coming from--that is what creates a free runner," Plank said. "A free runner is an unblocked defensive player, and he gets to the quarterback so much faster...When a free runner hits the quarterback, the quarterback flies through the air."
In fulfilling an age-old playground fantasy, Ryan had decided to hell with it, and seemingly sent all his guys after the quarterback with a simple mission: Nail him. Rather than try to cover everyone, Ryan decided to short-circuit the offense by taking out the quarterback. As boxers used to say: Kill the brain, and the body will follow.
"Football is chess," Plank said. "You can capture all my pawns, but if I tip over that king, I win."
Plank's analogy is apropos on more than one level: football and chess are both very strategically complex games and football and chess are both very violent games. The latter assertion may seem dubious to anyone who has only played chess casually with friends/relatives but tournament chess is violent, as noted by Grandmaster Lubomir Kavalek:
It doesn't hurt your body, but your brain, your ego. Instead of concussions chess players suffer humiliation after a terrible loss. They start to question their confidence, doubting the worthiness of what they do.
Opposing quarterbacks had to stay strong in the face of the way that Ryan's defense sought to "kill the brain" and tournament chess players face a similarly daunting challenge: they must stay mentally and emotionally strong to avoid having their brains killed by the stresses and strains imposed by hours of relentless competition.
Labels:
Buddy Ryan,
chess,
Chicago Bears,
Lubomir Kavalek,
Mike Ditka,
Rich Cohen
Monday, October 28, 2013
Dick Vermeil's Changed Perspective Helped Him Author a Second Act to his Coaching Career
In 1976, Dick Vermeil became the head coach of a 4-10 Philadelphia Eagles team that had not posted a winning record since 1966. Just two years later, Vermeil molded the Eagles into a playoff team and two seasons after that they made their first Super Bowl appearance, losing 27-10 to the Oakland Raiders. On the field Vermeil was a smashing success but off the field he became the living embodiment of burnout before resigning after the strike-shortened 1982 season. He spent the next 15 years as a TV commentator analyzing college football games--and analyzing himself, trying to figure out how to balance his tremendous competitive fire with a mindset that could prevent him from breaking down mentally, physically and emotionally.
In 1995, Vermeil declined an opportunity to coach the Eagles again but two years later he returned to the NFL as the coach of the St. Louis Rams. Vermeil hired Phil Towle to be the Rams' part-time team psychotherapist. Towle supplied Vermeil with some aphorisms, including "Burnout is not caused by stress. Burnout is caused by resisting opportunities that stress provides" and "I embrace my fears because they contain my greatness within."
Vermeil's perspective changed a lot during his time away from the sidelines. He spent years in therapy, struggling to manage his anger and perfectionism. "I learned to accept praise as a truth, not to just blow it off," Vermeil explained in the December 29, 1997-January 5, 1998 double issue of Sports Illustrated. "I continued the sessions even when I felt better about those things, because I just liked it. There's such a stigma in this country about seeking help like that, but I can tell you it's one of the best things I've ever done. It has really helped me in this job. Instead of trying to make this place into Vermeil's perfect world, I've learned to accept some things as they are."
In Vermeil's third year in St. Louis, he led the Rams to a 13-3 record, largely due to a tremendous offense nicknamed "The Greatest Show on Turf." Those 1999 Rams won the Super Bowl, filling in the last blank space on Vermeil's pro football coaching resume. He retired after that triumph but only spent one year away from the sidelines before jumping back into the fray as the coach of the Kansas City Chiefs. For the third time in three tries, Vermeil turned a losing program into a winning one as the Chiefs improved from 6-10 in 2001 to 13-3 in 2003. Vermeil transformed the Chiefs into a Super Bowl contender--just like he transformed the Eagles and Rams into elite teams--but he was not able to lead them to the Super Bowl and he retired in 2005 after the Chiefs did not qualify for the playoffs despite posting a 10-6 record.
Did becoming a more balanced person make Vermeil a more effective coach and leader? Maybe not--he was a tremendous coach in Philadelphia even when he worked himself to the brink of an emotional and physical breakdown--but by changing his mindset Vermeil became better able to both enjoy success and to withstand adversity.
In 1995, Vermeil declined an opportunity to coach the Eagles again but two years later he returned to the NFL as the coach of the St. Louis Rams. Vermeil hired Phil Towle to be the Rams' part-time team psychotherapist. Towle supplied Vermeil with some aphorisms, including "Burnout is not caused by stress. Burnout is caused by resisting opportunities that stress provides" and "I embrace my fears because they contain my greatness within."
Vermeil's perspective changed a lot during his time away from the sidelines. He spent years in therapy, struggling to manage his anger and perfectionism. "I learned to accept praise as a truth, not to just blow it off," Vermeil explained in the December 29, 1997-January 5, 1998 double issue of Sports Illustrated. "I continued the sessions even when I felt better about those things, because I just liked it. There's such a stigma in this country about seeking help like that, but I can tell you it's one of the best things I've ever done. It has really helped me in this job. Instead of trying to make this place into Vermeil's perfect world, I've learned to accept some things as they are."
In Vermeil's third year in St. Louis, he led the Rams to a 13-3 record, largely due to a tremendous offense nicknamed "The Greatest Show on Turf." Those 1999 Rams won the Super Bowl, filling in the last blank space on Vermeil's pro football coaching resume. He retired after that triumph but only spent one year away from the sidelines before jumping back into the fray as the coach of the Kansas City Chiefs. For the third time in three tries, Vermeil turned a losing program into a winning one as the Chiefs improved from 6-10 in 2001 to 13-3 in 2003. Vermeil transformed the Chiefs into a Super Bowl contender--just like he transformed the Eagles and Rams into elite teams--but he was not able to lead them to the Super Bowl and he retired in 2005 after the Chiefs did not qualify for the playoffs despite posting a 10-6 record.
Did becoming a more balanced person make Vermeil a more effective coach and leader? Maybe not--he was a tremendous coach in Philadelphia even when he worked himself to the brink of an emotional and physical breakdown--but by changing his mindset Vermeil became better able to both enjoy success and to withstand adversity.
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